‘Robot Dreams,’ ‘Lulina And The Moon’ Lead 2024 Quirino Awards Nominees
This year’s awards, to be held on May 11 in Tenerife, feature a new category for best animation in a music video.
This year’s awards, to be held on May 11 in Tenerife, feature a new category for best animation in a music video.
The Animation Showcase also hosts many of this year’s Oscar-qualified animated shorts.
What could you animate in one day? These students found out at this year’s 24 Hours animation contest.
The short was produced by Clubcamping in Argentina and back by internet activist group Vero from Brazil.
Fernando Trueba and Javier Mariscal’s bossa nova inspired film has been on of Europe’s hottest indie titles since it was announced in 2019.
This year’s Quirino Awards will take place on May 13 in the Canary Island city of La Laguna, Tenerife.
A look at some of the women making waves in Latin American animation.
Paris-based vfx-animation company Hecat has joined Mexican’s Ocelotl Co and Brazil’s Origem on the feature.
Titles from Brazil, Peru, Mexico, and Chile were just a few from the increasingly prominent Latin American contingent at this year’s Annecy.
The filmmakers hope to raise around 1,000 Ethereum.
The two winners, chosen on February 26, will present their projects at Annecy’s MIFA market.
Think of Will Vinton fused with William S. Burroughs, with a dash of “Mad Max” and The Clash. Director Cesar Cabral tells us about the making of his wildly unique animated feature.
The stop-motion feature has won prizes at Annecy and Ottawa.
Two neighbors lean on each other, turning small moments of life into great treasures.
“Bob Spit – We Do Not Like People” is the first Latin American feature to win the top feature prize at the Ottawa Int’l Animation Festival.
The film will be released in 2022.
If nominated for an Oscar, “Umbrella” will become the first Brazilian film to reach that stage in the animated short category.
Hype Animation, Red Animation Studios, and Punkrobot have formed Los Amigos, billed as “the largest collective animation studio in Latin America.”
“In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions,” says Nathan Love’s Joe Burrascano.
You know you’ve created a popular cartoon character when fans turn up at your studio asking to meet her.