Here’s The Biggest Animation News You Missed In August
Unsettled studios, inclusivity milestones, a controversial “Ren & Stimpy” reboot, and much more…
Unsettled studios, inclusivity milestones, a controversial “Ren & Stimpy” reboot, and much more…
In a year with a reduced slate of animated features, two major releases — one streaming and one theatrical — will go head-to-head.
Spain’s Basque Country has produced animated fare that stands out at international markets, festivals, and awards ceremonies.
A mousetrap snaps shut, a market place awakens. A group of men heatedly discuss how to kill the animal in the little box.
The petition was started by Robyn Byrd, who has accused the show’s creator John Kricfalusi of sexually abusing her as a child.
Supernova will unfold across outdoor projections, as well as online screenings.
The veteran executive, who helped develop shows including “Adventure Time” and “The Fairly Oddparents,” is returning to independent production.
Combined, the two studios he’s leading currently produce more than 30 series.
With his studio Ruby-Spears, he helped define the look of Saturday morning cartoons for more than a decade.
What is going on with “Raya and the Last Dragon”?
The 2d family feature will get a French theatrical release on October 21.
Mayer left a top role at the Walt Disney Company to lead Tiktok, but Donald Trump had other plans for him.
“I wasn’t sure what the film was about,” says Clapin, “and that hardly mattered to me.”
Helmer will work to “accelerate racial and cultural diversity and inclusion” in kids’ programming.
Studio head Mike Zaimont is accused of “a pattern of hostility, insults, threats, lying, and harassment.”
“Wolfwalkers” will stream around the world on Apple TV+ following its theatrical run.
Dinosaurs collide with cavemen, Adam with aliens, in this zany send-up of creation myths.
Sony “balked at” the price for the anime streamer, according to a report.
The Los Angeles animation industry’s highest-profile award will be in April, and the ceremony may go virtual.
“In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions,” says Nathan Love’s Joe Burrascano.
What would you be willing to do for them to love you?