The Stories Behind 3 Animated Documentaries: ‘Carlotta’s Face,’ ‘Egg,’ ‘Travelogue Tel Aviv’
We speak to the filmmakers of three short animated documentaries from the current festival circuit and learn how they came to be made.
We speak to the filmmakers of three short animated documentaries from the current festival circuit and learn how they came to be made.
The first edition of “Animation Next” will tour U.S. theaters this fall.
SVA’s MFA Computer Arts program made a strong impact at SIGGRAPH 2025, with student volunteers, alumni, and faculty contributing throughout the conference.
A new initiative from South Africa’s Triggerfish aims to help young animators learn about the animation industry.
“Orbital Era” is Otomo’s third full-length animated feature. It will follow young astronauts as they struggle to get by in a space colony.
North America’s largest animation festival will screen 54 shorts and six features in competition.
“Weird Al’ Yankovic: “Goodbye to one of the all-time greatest American institutions.”
Stephanie Betts and Todd Brian will oversee the creation of original animated series for the Canadian content titan.
“Revue du Film d’Animation” will only be published in French — to begin with, at least.
The exhibition takes a comprehensive look at one of the most remarkable careers in Japanese animation. It runs until October 6.
Over 250 National Film Board of Canada directors have revolted against the organization, claiming it spends less than 20% of its budget on production.
A young boy forms a special bond with a giraffe.
Kumail Nanjiani lends his voice — and personality — to the completely cg alien.
The film’s new release date is Christmas 2019.
Over 170 people have been invited to join the Academy’s animation and vfx branches.
Among the offerings is the world premiere of Disney’s second vr project, “A Kite’s Tail.”
“If you have an idea for a short that involves story, for God’s sake don’t do it in vr.”
The last letter of the alphabet struggles to find his way in a world that constantly reminds him of his place at the end.
A series of videos breaks down the animation techniques used on the anime fantasy epic “Maquia: When the Promised Flower Blooms.”
Why vfx artists had to closely adhere to character silhouettes in “Godzilla: King of the Monsters.”
The Danish school’s bachelor projects comprise half a dozen films and a video game. All but one is available to view online.