Bizarre Hand-Painted Walter Lantz Pins Found at Parisian Flea Market
At a flea market in Paris, I discovered this irresistibly awful set of dead-stock pins featuring Walter Lantz characters.
At a flea market in Paris, I discovered this irresistibly awful set of dead-stock pins featuring Walter Lantz characters.
A man has nothing to lose except his dream. To make his dream come true the man embarks on a dangerous journey. But his destination is not what it seems.
Moho’s free 14.4 Side Quest update lets animators export full 2D rigs and animations to Unity, Unreal, Godot, and Blender using the glTF format.
At least one DreamWorks animated film has lost money for the past three years in a row: “Rise of the Guardians” in 2012 had an $87 million writedown; “Turbo” in 2013 resulted in a $13.5 million writedown; and this year’s “Mr. Peabody & Sherman” caused a $57 million writedown. This is rather obviously not a sustainable trend from a business standpoint, and investors are beginning to worry about the studio’s long-term prospects.
Directed by Peter Quinn who writes: “I usually sit and watch a few things on Animade or Squeezeme.tv with my first coffee, every morning when I get into work. I’ve pulled out a few ‘showreel tropes’ that hopefully some of you will agree with—and I bet there are plenty I’ve forgotten about… would love to have you input as to commonalities in reels. It’s been an interesting study coming up with this shortlist.”
The world of animation software is dominated by a handful of industry-standard titles. However, the margins are dotted with more specialized pieces of software, often designed for animators who prefer to work outside the demands of studio production. One such program is Animake It, a piece of software that aims to provide an accessible animation experience that ties in with current trends in online content.
While we await the release of Gary Trousdale’s “Rocky & Bullwinkle” short, here’s a new GEICO spot that pairs the Jay Ward duo with the GEICO Gecko.
Nickelodeon has picked up a new series: “The Loud House” by animation veteran Chris Savino. The series is inspired by Savino’s own “chaotic life growing up in a huge household,” and follows a boy named Lincoln who lives at home with his 10 sisters. The concept received a 13-episode greenlight based on the following pilot from the studio’s 2013 Animated Shorts Program.
Sony Pictures Animation today announced that they’ve acquired an original comedy pitch entitled “Medusa” from screenwriter Todd Alcott (“Antz”) and reality TV producer Holly Golden (“Conspiracy Theory with Jesse Ventura”). More interesting: Lauren Faust (“My Little Pony: Friendship is Magic,” “Super Best Friends Forever”) is attached to direct.
Tonight in New York City, two artists who need little introduction—Bill Plympton and Peter de Sève—will discuss their work and artistic process in a discussion moderated by animation director J. J. Sedelmaier.
Peco catches everyone off guard at the High School Championship Qualifiers with his newfound skills, skunking Kong in a reversal of the events of the previous championship.
Not many people know this, but every night at 3:33AM time is frozen for a moment. During what is a fraction of second to mortal eyes, there is a second night, a secret one where the spirits of the city come out to play. That is the story of the eternal battle for the soul of São Paulo, the clash between bohemia and authoritarianism, between comedy and horror.
The animated feature “JOYFLUID” opens in a limited number of IMAX 3D theaters in Mexico this Friday. The Mexio City-produced motion capture animated film was directed by Alejandro Rodriguez Huerta and made by the Rodriguez Brothers Animation Group.
Larry had me writing sequence scripts for “The Fox and the Hound,” which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman’s marathon story sessions, which often left me drained and dazed. There were also Woolie’s marathon take-selection meetings, which left me drained and bewildered.
A short animated collection of memories from a Turkish refugee in New Zealand.
Last weekend at the U.S. box office, two films with strong animation ties opened in very different fashions. Disney’s “Maleficent,” a dark fantasy reimagining of the 1959 animated feature from the perspective of the villain, launched with $69.4 million.
A look at the work of Don Shank, Cartoon Brew’s Artist of the Day.
Pixar’s “Finding Nemo” told of a touching bond between a clownfish father and son. But according to this fascinating excerpt from Stephen R. Palumbi and Anthony R. Palumbi’s new book “The Extreme Life of the Sea”, “Finding Nemo” director Andrew Stanton bypassed the most intriguing trait of clownfish, which is that they can change their sex. Had Pixar stayed true to clownfish biology, they would have ended up with a quite different story.
Here’s our first look at href=”http://cartoonsaloon.ie”>Cartoon Saloon’s highly anticipated hand-drawn pic “Song of the Sea,” which will be released in the US this fall by GKIDS.
Animation and visual effects studio Sony Pictures Imageworks has confirmed what many in the industry had suspected for a long while: the studio is moving its headquarters from Los Angeles to Vancouver, Canada to take advantage of generous tax credits provided by the Canadian government. This move, combined with Digital Domain’s jump to Vancouver and Rhythm & Hues’ bankruptcy, prompted “Variety'”s VFX chronicler David S. Cohen to say that the Los Angeles feature film visual effects industry is “in full collapse.”
The first trailer is out today for “The Book of Life” directed by Jorge Gutierrez (“El Tigre”) and produced by Reel FX.