William Ruzicka, Board Artist And Director Of The Most Iconic Scene In ‘Invincible,’ Dies At 45
Ruzicka contributed to numerous series including ‘The Legend of Korra,’ ‘Ben 10: Omniverse,’ and ‘Kung Fu Panda: The Dragon Knight.’
Ruzicka contributed to numerous series including ‘The Legend of Korra,’ ‘Ben 10: Omniverse,’ and ‘Kung Fu Panda: The Dragon Knight.’
After nearly a decade in charge, Wojcicki will shift to an advisory role at Youtube’s parent companies Google/Alphabet.
Watch a conversation with the filmmakers of ‘Nimona,’ which is newly nominated for a Critics Choice Award.
Universal is producing the live-action remake which is slated to hit theaters in March of 2025.
Hollywood tried hard to make theatrical cartoons less raunchy and fun, but animators still found a way to keep their work weird.
Based on Kate DiCamillo’s book of the same name, ‘The Magician’s Elephant’ will debut on Netflix worldwide March 17.
Denis’ appointment is the latest among a series of high-profile hires and promotions at the global vfx and animation company.
Other animation award winners include ‘Puss in Boots: The Last Wish’ and ‘Love, Death + Robots.’
Amazon’s Alexa Fund also led a $20 million Series A fundraising effort for Superplastic.
The first Buzzfeed IP short-form content for series development by Frederator will be ‘The Land of Boggs.’
Steve Loter and Rodney Clouden describe the blend of music, narrative, and aesthetics in one of the show’s signature “mixtape” sequences.
Radar Pictures is producing in collaboration with Italian ‘Geronimo Stilton’ animated series producer Atlantyca Entertainment.
Nine days after its release, ‘Cheburashka’ was already the highest-grossing Russian film ever. Now it’s more than doubled that total.
The company is using ChatGPT, among other technologies, and claims that AI will also be used for images, voices, and animation.
The show will launch globally in 2024.
Krikey says that AI animation can be “the foundation of the next creator economy.”
“I hope that we as a society find a way to incentivize people to learn real processes still,” Bashew says in his film “AI Art – Automation. A Working Artist’s Take.”
Warner Animation Group has been operating without a dedicated boss since Allison Abbate’s departure last August.
Hacking’s work is freewheeling chaos – mind-twirling wonders that seep inside you before you even have a clue why or how.
Colgrave’s latest film is a spectacle of delights for both the eyes and ears.
On the occasion of Shinkai’s 50th birthday, we take a look at the aesthetic evolution of one of Japan’s greatest filmmakers.