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Netflix Has Released A 358-Page Multimedia Art Of Book For ‘Nimona’ – Exclusive
Production designer Aidan Sugano spoke with us about the film's bumpy development, his role on the film, and putting together the book.
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Reallusion Pitch & Produce: Creating A 2D Animated Series Pilot With Cartoon Animator 5
Bristol-based animator Christopher Meyer-White explains why he used Cartoon Animator 5 for his show 'Polly and Parrot.'
‘Aladdin,’ ‘Moana’ Director John Musker Goes Indie With Annecy-Debuting Short ‘I’m Hip’
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
Crafting A Visual Style In A Short Film: This Year’s Oscar Nominees Tell Us How They Did It
See the art that helped define the visual styles of this year's five Oscar-nominated animated shorts.
How Creators Are Using Cartoon Animator 5 For Global Science Education
Toma Creators founder José "Zez" Vaz discusses Reallusion's Pitch & Produce program and what Cartoon Animator 5 brings to the production process.
Five Animated Features That Academy Voters Shouldn’t Overlook This Awards Season
These standout features from 2022 deserve a close look from Oscar voters.
Meet The SVA Alumni Educating The School’s Next Generation Of Artists
SVA alumni discuss life after graduation, and why so many have returned to teach at their alma mater.
Everything You Need To Know About Cartoon Animator 5, Available Now
Cartoon Animator 5 (CTA5) has launched with several crucial features introduced to level the playing field for amateur and professional artists alike.
Ollie’s Odyssey: A Behind-The-Scenes Look At The Twelve-Year Journey Of Netflix’s ‘Lost Ollie’ (Exclusive)
In the works for more than a decade, 'Lost Ollie's journey to the screen is nearly as epic as that of its floppy-eared hero.
Tools Of The Trade: How Buck And Takashi Murakami Used Spark AR To Bring The Artist’s Work To Life
Buck art director Helena Dong explains how she created an augmented reality exhibit for Takashi Murakami's work at The Broad in Los Angeles.
Crunchyroll Expo 2022: First-Look Impressions Of ‘Dragon Ball Super: Super Hero,’ ‘Mob Psycho 100,’ ‘Chainsaw Man’
Previews of three upcoming anime standouts from this year's Crunchyroll Expo.
Re-Creating An Icon: Bringing Jessica Rabbit Into The Third Dimension With iClone
Dutch artist Jasper Hesseling used iClone to model and animate a 3d Jessica Rabbit in just two weeks.
Weta FX Opens Offices In Vancouver, Its First Studio Outside Of New Zealand
The studio has an initial staff of 75 artists, with plans to expand before the end of the year.
Richard Linklater’s ‘Apollo 10½: A Space Age Childhood’ Looks Like A One-Of-A-Kind Animated Film
Linklater's film is rooted in both memory and fantasy, or as the director puts it, "the memory of a fantasy."
School Of Visual Arts Alumni Return As Faculty To Share Their Expertise
Three alumni-turned-teachers explain what they enjoy about their work with the school.
Shane Plante On Using Harmony To Make The Horror Film ‘The Gate’
The Mercury Filmworks animator tells us how he made his film using Toon Boom Harmony Premium.
The Oscar Shortlist Interviews: How The Films Were Visually Developed
We asked the directors of this year's 15 shortlisted shorts how they came up with their styles and techniques.
How The School Of Visual Arts Is Helping Students Extend Their Learning Outside The Classroom
Students discuss the illuminating panels, workshops, and other events they have organized in recent months.
You Can Soon Start Producing Weta-Quality VFX From Home
Unity's acquisition of Weta Digital could be a game-changing moment in the vfx industry.
The Directors Of ‘Robin Robin’ Explain How They Broke With Aardman’s House Style
Dan Ojari and Mikey Please explain how they made their seasonal short at the storied stop-motion studio.
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