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School Of Visual Arts Students Discuss How They Completed Their Thesis Films Remotely
For many graduates, this strange experience sharpened their ideas about what they want in their careers. They tell us why.
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How FuzzyPixel Harnessed Cloud Tools To Create Its Short Film
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
How Nuke Helped Studio Ghibli Find A New Dimension For ‘Earwig And The Witch’
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
Lindsey Olivares On Her Bold Production Design Debut ‘The Mitchells vs. The Machines’ (Interview)
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
Short Pick Of The Day: ‘Chasing Birds’ By Emlyn Davies
A new music video for Foo Fighters' "Chasing Birds."
Gísli Darri Halldórsson on ‘Yes-People’ (Oscar Shorts Interview Series)
The Icelandic filmmaker speaks about photograph, shoestring budgets, and the beguiling power of a single syllable.
Madeline Sharafian on ‘Burrow’ (Oscar Shorts Interview Series)
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
Exclusive: Watch The Teaser For ‘Master,’ A Feature From Jamaal Bradley, Steamroller Studios, And Executive Producer Peter Ramsey
Olivia, a young Black woman endowed with superpowers, leads her family to what she sees as a better life — only to realize that's not what she should be fighting for.
Behind The Scenes Of The Oscar-Contending Short Film ‘Lost & Crowned’
Director Borja Peña Gorostegui and the animation team at Psyop describe their creative process for making the short "Lost & Crowned."
Watch All The Winners From Reallusion’s Cartoon Animator Contest 2020
Watch the winners across four categories: Business, Comic, Education, and Youtuber.
A Character Animator’s Adventures In Motion Design
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
How To Make A Short Film Using Quill: An Animator’s Guide To The VR Software
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Animate Your Future At School Of Visual Arts
Learn about the wide variety of careers taken up by alumni of School of Visual Arts's animation, computer arts, and vfx courses.
How They Did It: Jérémy Clapin Explains The Unconventional Production Process Of ‘I Lost My Body’
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
How They Did It: Blending Memory And Archives In The Hybrid Film ‘Uncle Thomas: Accounting for the Days’
In her autobiographical film, Regina Pessoa expands her repertoire, introducing object animation and wall drawings alongside hand-drawn animation.
The Russian Animated Series ‘Jinglekids’ Aims For Ambitious Visuals With A Small Team
Showrunner Anton Vereschagin shares the pipeline and tech challenges that come with producing a high-quality cg series in Russia.
Digital Actors: Are They Ready For Their CG Close-ups?
With "Alita: Battle Angel" poised for release, we take a look at the state of play in photorealistic cg humans.
18 Innovative VFX And Hybrid Films Coming To Theaters in 2019
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
Oscar-Shortlisted Shorts: See The Visual Development And Production Design – Part II
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
Oscar-Shortlisted Shorts: See The Visual Development And Production Design – Part I
In the first of a two-part series, we explore the production design of "Age of Sail," "Bao," "Bilby," "Lost & Found," and "One Small Step."
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