Obscure Cartoon Character Spotlight: The Fox And The Crow
Also known as Fauntleroy Fox and Crawford Crow in their comic book appearances - the duo starred in twenty-one cartoons in the 1940s.
Also known as Fauntleroy Fox and Crawford Crow in their comic book appearances - the duo starred in twenty-one cartoons in the 1940s.
The company's aim is to "democratize 3d animation."
Using Unreal Engine, Gordon and artists at Passion Pictures were able to produce 100 short episodes of the music-fueled series.
Hang on to your software updates and bust out your 3d dance card; it’s time for SCAD AnimationFest 2023. The Savannah College of Art …
According to Nagy, "beginner or a professional, anyone can enjoy using this software regardless of skill level."
We break down the importance of animation to Apple's newest tech, as well as four other takeaways from this week's unveiling.
There isn’t a proven roadmap to building an animation studio in Uganda, but that isn't stopping Raymond Malinga whose studio's mantra is “the audacity to dream.”
We spoke to Hellavision organizers Peter Steineck and Michael Van Swearingen, as well as Dave Merson Hess, who programmed its most recent episode.
Pavel Sannikau is solo-animating the ever-expanding animated website which features your favorite pop culture characters living together on a space station.
You've no doubt heard of the animation programs at Calarts, but what is it like to actually attend the school. We asked some recent students about their experiences.
Nathan Smith from Studio Ghibletz explains how his team used CA5 to improve their workflow on 'Anomaly Karen.'
The new tech eliminates the need for bespoke facial motion capture technology, making it possible to accomplish with only an iPhone.
Krikey says that AI animation can be “the foundation of the next creator economy.”
Everything you should know about Canada's Sheridan College according to staff and students.
'Puss in Boots' is now one of the year's best-reviewed animated features, and a guaranteed awards season contender.
Lessons about collaboration and inspiration learned at the Filmakademie Baden-Württemberg's Animationsinstitut proved vital to Zielke's work.
Tippett Studio texture artist Michele Ahn discusses how she uses Marvelous Designer software to tell stories with fabric and texture.
Illustrator Pablo Lobato, who had never worked in animation prior to this film, had to both learn – and unlearn – craft and skills to design characters for stop motion.
Watch the winners across four categories: Business, Comic, Education, and Youtuber.
A ShotGrid-based pipeline helps Mighty's remote team manage workloads while connecting with international artists.