Inside The Production Of ‘City Of Ghosts’ With French Animation Studio TeamTO
The French animation studio behind Netflix's "City of Ghosts" walks us through their approach on this unorthodox series.
The French animation studio behind Netflix's "City of Ghosts" walks us through their approach on this unorthodox series.
Ty has been named the division's global head of character animation, while Donato joins as vfx supervisor on a major project.
Spanish animator Mònica Eggert has achieved something rare: she's made a demo reel that's a hit with audiences. We asked her about how it came together.
Ilze Burkovksa-Jacobsen explains how she drew on her experience of an oppressive regime to make her Oscar-qualified feature.
Experienced animator Amedeo Beretta explains why good 3d animation is about so much more than software.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
Quaroni spent 24 years at Pixar, most recently as its vice president of software r&d.
Three users of Marvelous Designer tell us how they create fantastic 3D clothes, while saving time and money.
Three animation studios tell us what it takes to create an original show in the country.
Discover the diverse mix of Spanish animated projects showcased at this year's edition of the Latin American movie market.
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
"I just don't think we'll ever get something that game-changing in animation again," says Louis of Katsuhiro Otomo's cyberpunk classic.
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
The feature adapts several short stories by the bestselling Japanese author.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Animators are invited to create videos across a range of categories using Cartoon Animator 4.
What gives the city an edge — and what threats does it face?