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The Oscar Shortlist Interviews: How The Films Were Visually Developed
We asked the directors of this year's 15 shortlisted shorts how they came up with their styles and techniques.
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The Directors Of ‘Robin Robin’ Explain How They Broke With Aardman’s House Style
Dan Ojari and Mikey Please explain how they made their seasonal short at the storied stop-motion studio.
School Of Visual Arts Students Discuss How They Completed Their Thesis Films Remotely
For many graduates, this strange experience sharpened their ideas about what they want in their careers. They tell us why.
How Nuke Helped Studio Ghibli Find A New Dimension For ‘Earwig And The Witch’
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
Lindsey Olivares On Her Bold Production Design Debut ‘The Mitchells vs. The Machines’ (Interview)
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
Gísli Darri Halldórsson on ‘Yes-People’ (Oscar Shorts Interview Series)
The Icelandic filmmaker speaks about photograph, shoestring budgets, and the beguiling power of a single syllable.
Exclusive: Watch The Teaser For ‘Master,’ A Feature From Jamaal Bradley, Steamroller Studios, And Executive Producer Peter Ramsey
Olivia, a young Black woman endowed with superpowers, leads her family to what she sees as a better life — only to realize that's not what she should be fighting for.
How Two Animation & Game Art Seniors At Maine College Of Art Transformed The School’s Homepage
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
Behind The Scenes Of The Oscar-Contending Short Film ‘Lost & Crowned’
Director Borja Peña Gorostegui and the animation team at Psyop describe their creative process for making the short "Lost & Crowned."
Weird Market, Animation!, And ICAA Present The Future Of Spanish Animation At Ventana Sur
Discover the diverse mix of Spanish animated projects showcased at this year's edition of the Latin American movie market.
How To Make A Short Film Using Quill: An Animator’s Guide To The VR Software
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Learning Animation At Home: Bloop Animation’s Guide On Where To Start
Get the free ebook "Making an Animated Short."
Animation Students At School of Visual Arts Reveal Their Upcoming Thesis Projects
The School of Visual Arts in New York City is offering a peek at some of its outstanding in-progress thesis projects from the school’s various animation-driven departments.
Animate Your Future At School Of Visual Arts
Learn about the wide variety of careers taken up by alumni of School of Visual Arts's animation, computer arts, and vfx courses.
How They Did It: Blending Memory And Archives In The Hybrid Film ‘Uncle Thomas: Accounting for the Days’
In her autobiographical film, Regina Pessoa expands her repertoire, introducing object animation and wall drawings alongside hand-drawn animation.
How ‘Becca’s Bunch’ Achieved Its Unique Blend Of Puppetry And Animation
The Nick Jr. series is a striking hybrid of live action and animation. Its creators break the production process down for Cartoon Brew.
A Primer On Knowing Your Rights As An Animation Industry Worker
An overview of your rights as a studio employee in the United States.
Digital Actors: Are They Ready For Their CG Close-ups?
With "Alita: Battle Angel" poised for release, we take a look at the state of play in photorealistic cg humans.
18 Innovative VFX And Hybrid Films Coming To Theaters in 2019
What's ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
Oscar-Shortlisted Shorts: See The Visual Development And Production Design – Part II
In the second part of this exclusive series, we explore the production design of "Animal Behaviour," "Bird Karma," "Late Afternoon," "Grandpa Walrus," and "Weekends."
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