VFX Oscar Contenders Share Their Toughest Shots
This year's Oscar-nominated vfx supervisors name their toughest shots—and they're not all what you might think.
This year's Oscar-nominated vfx supervisors name their toughest shots—and they're not all what you might think.
"There's no question that these orders will harm us as a company and many of our team members," says Insomniac Games founder.
Is feature quality possible in a tv series? Rodrigo Blaas tried to find out with Dreamworks' new hit "Trollhunters."
A European cg series "My Knight and Me" makes it to the U.S. shores via Cartoon Network.
In honor of his 60th birthday, we present rare insights into storytelling craft from Pixar and Disney chief John Lasseter.
How Blue Sky's Chris Wedge went from animation to live-action for 'Monster Trucks'.
Independent cg animation is rare in India. Filmmaker Ishan Shukla is trying to change that.
Santa's had enough!
We explore the inventive visual style used in a new commissioned short film project.
The Oscar-nominated duo talks to us why they wanted to make their latest project as an interactive storybook app.
Behind the scenes of the film's biggest beasts.
Nominations for the 44th ASIFA-Hollywood Annie Awards were announced this morning, and Disney’s Zootopia led the way with 11 nominations. …
Ten animated shorts will continue in the voting process as they vye for an Oscar nomination.
In Part 2 of our 20th anniversary oral history of Space Jam, the crew discuss tackling new techniques for 2D animation, and gearing up for the vfx.
Space Jam is 20 years old! Our 3-part oral history begins with the troubled start to production, character designs, and how the basketball scenes were shot.
Sorry Disney, Italy's already got their own Moana.
Studios around the world are now using TVPaint to craft their latest features.
"Brave" director Brenda Chapman reveals big new plans in an exclusive interview with Cartoon Brew.
A Vancouver union is asking the Canadian government to investigate whether animation artists were not paid overtime during the production of "Sausage Party."
Yesterday was Jeffrey Katzenberg's last day as head of DreamWorks Animation. What he created will never exist again.