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How The Studio Six Point Harness is Blazing a Trail for Studio IP Ownership and Control
With its own distribution channel and a big catalog of original content, Six Point Harness is not your typical service studio.
Search Results forMaking things cartoon
Q&A: Chris Landreth On 20 Years Since He Wrestled With Maya To Make The Strange and Surreal ‘Bingo’
It's been 20 years since Chris Landreth's groundbreaking short "Bingo" showed the world what Maya 1.0 could do.
How E.d. Films Is Using Real-time To Help Make Their Animated Films
A look at how e.d. films in Montreal has adopted the Unity game engine for animated filmmaking, and even developed its own real-time tools.
Former Pixar Artist Cassandra Smolcic Speaks Out About The Studio’s ‘Sexist,’ ‘Vulgar’ And ‘Unprofessional’ Culture
Pixar is a "sexist boys club" says a former artist, who tells stories of demeaning, lecherous, and physically abusive behavior, many involving John Lasseter.
INTERVIEW: Masaaki Yuasa On His Creative Process For ‘Lu Over The Wall’
The Japanese filmmaker's toe-tapping latest "Lu Over the Wall" open in the U.S. this Friday.
What’s It Like To Work As A VFX Vendor On A Big Show Like Netflix’s ‘Lost In Space’?
An insight into Image Engine’s work as one of several vfx studios on the new Netflix series, “Lost in Space.”
Winners Of First-Ever Quirino Awards Will Be Announced Tonight – Here’s A Preview Of The Nominees
A look at the nominees of the Ibero-American Quirino Awards, which will be presented tonight.
How The Mill Is Embracing Real-time For Character Animation
The Mill is developing new ways of creating relatable and appealing character animation in real-time.
Animation Community Mourning Death Of Isao Takahata, Director And Studio Ghibli Co-Founder
The animation world is mourning the loss of one of its giants.
Stop-Motion Cinematography: Q&A With ‘Isle of Dogs’ DOP Tristan Oliver
A look at all the intense work that went into the cinematography of Wes Anderson's "Isle of Dogs," before a single frame is ever animated.
‘Pacific Rim Uprising’: How Toys And Motion Capture Helped Bring Giant Robots To Life
Here's what it took to animate the giant Jaeger robots in "Pacific Rim Uprising."
Crafting A Student Short: An Interview With 2 SVA MFA Computer Arts Alumni
Two 2017 graduates of School of Visual Arts’ MFA Computer Arts department recently sat down with a current student, Devan Worth [Graduate …
‘Isle of Dogs’: Animation Director Mark Waring Explains How To Animate A Wes Anderson Film
"Isle of Dogs" animation director Mark Waring breaks down the animation process on Wes Anderson's new stop-motion tale.
‘Festivals Are A Community Endeavor’: Talking With The Organizers Of GLAS Animation Festival
Next week, artists from across the U.S. and Canada, as well as Europe and Asia, will be in Berkeley, California for GLAS Animation Festival. We talk to the organizers about what makes the event so unique.
Maintaining A Cohesive Vision On ‘The Breadwinner’: How A Co-Production Between Ireland And Canada Worked
Many animated features are made as co-productions nowadays. But how do studios actually collaborate on a film? We spoke with Toronto-based Guru to learn how they worked with Ireland's Cartoon Saloon on "The Breadwinner."
Why The Craziest Stunt In ‘Black Panther’ Took 214 Versions
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Tips From The VFX Oscar Nominees For Working With Film Directors
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
The Evolution of Snoke In ‘The Last Jedi’: From Andy Serkis To Animation
A look at how ILM and Andy Serkis' Snoke continued to evolve during production on the latest "Star Wars" film.
Watch The Director And Producer Of ‘Coco’ Address John Lasseter Sexual Harassment Allegations
The biggest challenge for "Coco" director Lee Unkrich this award season: pretending that his film's executive producer, John Lasseter, doesn't exist.
‘Paddington 2’: How To Find A Character’s Performance
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
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