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Untold Tales

‘Mouse in Transition’: Detour Into Disney History (Chapter 6)

Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.

By Steve Hulett |

Ideas/Commentary

Why Do Practical Effects Get Replaced with CGI?

Yesterday, we celebrated the momentous decision to replace the practical effect-dinosaurs in "Jurassic Park" with CGI animation. Today, we look at the other side of the issue: the effect that CGI has had on traditional puppet-makers, animatronic artists, and stop motion animators whose work has increasingly been relegated to the sidelines.

By Amid Amidi |

Stop Motion

Meet Tobias Stretch And His Life-Size Stop Motion Creatures

There are many ways to create animation, and most of them are tedious and life draining. It's pretty common to find animators incorporating some combination of chair and desk as a prison of their practice, where they trudge through their work while simultaneously wasting away. Tobias Stretch has no appetite for that lifestyle, and uses the world as his stop motion playground.

By Caleb Wood |

Student

Official Selections For Our 5th Student Animation Festival

For the fifth year in a row, we are delighted to present the selections for the Cartoon Brew Student Animation Festival, our online showcase for animated short premieres by student filmmakers. We like to believe that each year is our strongest year, but this year's selections feel particularly vital, illustrating the remarkable breadth of work currently being produced by student filmmakers around the globe.

By Amid Amidi |

Cartoon Brew Pick

‘Echo’ by Merlin Flügel

The sunken homeland and the certainty that we are not alone. ECHO is about how childhood reverberates; about complicated relationships, and a departure to pastures new.

By Amid Amidi |

Disney

Short Film Review: Disney’s ‘Feast’

Disney's "Feast" debuted yesterday to a raucous packed house at the Annecy International Animation Festival, alongside some never-before-seen clips from the studio's next feature "Big Hero 6."

By Amid Amidi |

Cartoon Brew Pick

‘Caveirão’ by Guilherme Marcondes

Not many people know this, but every night at 3:33AM time is frozen for a moment. During what is a fraction of second to mortal eyes, there is a second night, a secret one where the spirits of the city come out to play. That is the story of the eternal battle for the soul of São Paulo, the clash between bohemia and authoritarianism, between comedy and horror.

By Amid Amidi |

Untold Tales

‘Mouse in Transition’: Larry Clemmons (Chapter 2)

Disney's head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing...and few buildings were being erected.

By Steve Hulett |

Cartoon Brew Pick

‘House Wanders, Bird Water Full’ by Veronika Samartseva

Veronika Samartseva is an animation director from Germany, who specializes in analog animation techniques. Her award-winning films have been shown at international festivals worldwide. After her graduation from HFF Konrad Wolf Babelsberg, Veronika joined the Berlin-based animation collective Talking Animals. Recently she started teaching animation at the BTK University of Design.

By Caleb Wood |

Cartoon Brew Pick

‘A Dangerous Journey’ by Ruth Beni

"A Dangerous Journey" (part funded by Comic Relief) warns young African women of the dangers of being coerced and tricked into prostitution by traffickers who use scare tactics perpetrated by native doctors and false promises.

By Amid Amidi |

Fine Art

Some Lucky Person Will Pay $25 Million Tonight For Jeff Koons’s Popeye [UPDATED]

Tonight in New York City, Sotheby's will auction a stainless steel, 2000-pound, six-and-a-half-foot-tall Popeye sculpture by Jeff Koons that is estimated to sell for between $25-35 million. Koons, who is already among the top three richest living American artists not to mention an avowed lover of "Croods," made three of these Popeye sculptures, which probably represents the number of people who he thinks are dumb enough to pay between $25-35 million for a Popeye sculpture.

By Amid Amidi |

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