Artist of the Day: Don Shank
A look at the work of Don Shank, Cartoon Brew’s Artist of the Day.
A look at the work of Don Shank, Cartoon Brew’s Artist of the Day.
Pixar's "Finding Nemo" told of a touching bond between a clownfish father and son. But according to this fascinating excerpt from Stephen R. Palumbi and Anthony R. Palumbi's new book "The Extreme Life of the Sea", "Finding Nemo" director Andrew Stanton bypassed the most intriguing trait of clownfish, which is that they can change their sex. Had Pixar stayed true to clownfish biology, they would have ended up with a quite different story.
Disney's head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing...and few buildings were being erected.
Using a unique animation technique involving traditonal animation cels and his iPhone 5s, Hombre_mcsteez turns everyday life into an odd creature infested cartoon universe.
Kaio finally tries to poach Smile, Peco gets into the National Training Center with a little help from the old lady, and we learn about coach Koizumi's storied past. This episode was largely devoted to character development, and finally brought into focus just what a complicated web of character interrelations Yuasa has woven out of the original source material, much as he did in Mind Game. There was no single major driving plot element, but rather various themes and plotlines gradually converging. By this point it feels like what we are seeing is more Yuasa than Matsumoto.
Yesterday in New York City, Microsoft unveiled the Surface Pro 3, the latest iteration of its fully-featured PC/tablet with pressure-sensitivity and an abililty to run any PC-based creative software from Adobe's Creative Cloud suite to Toon Boom, Maya and ZBrush, to post-production filmmaker tools like Assimilate’s SCRATCH and RED’s CineX.
The 45th annual ASIFA-East Animation Festival Awards took place last Sunday in Manhattan. The long-running ceremony, which celebrates achievements in East Coast animation, is making an effort to gradually transform its annual ceremony into a more upscale affair.
About a bear and his journey on the subway of life.
Reading beforehand what this episode was supposed to be about, my mind completely went somewhere else. Steven’s at that age when boys want alone time for a very specific reason and while I was 99.9% sure Cartoon Network wasn’t going to go that far, I thought they’d at least allude to that idea of adolescence and growing up. Instead we dived into the real reason (sort of) that Steven wanted to be left alone, and dug a little deeper into the idea of his parental units via a room and a weird, very strange world created by said room.
Last night Jeff Koons sold a sculpture of Popeye for over $28 million. Today, evidence has emerged that Koons may not have designed the sculpture. In the comments of our previous post about the Popeye sculpture, Brew reader Alex Kirwan pointed out that Koons's sculpture bears a substantial similarity to a Dark Horse-produced Popeye PVC figur released in 2002.
Tonight in New York City, Sotheby's will auction a stainless steel, 2000-pound, six-and-a-half-foot-tall Popeye sculpture by Jeff Koons that is estimated to sell for between $25-35 million. Koons, who is already among the top three richest living American artists not to mention an avowed lover of "Croods," made three of these Popeye sculptures, which probably represents the number of people who he thinks are dumb enough to pay between $25-35 million for a Popeye sculpture.
Marc James Roels and Emma De Swaef are an animation duo from Ghent, Belgium. Their work has gained extensive notoriety in the past few years, after their 17-minute wool-animated short "Oh Willy…" swept the festival circuit, racking up countless awards and charming the hearts of audiences across the globe.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project "The Last Days of Coney Island," which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.
The Academy of Motion Picture Arts & Sciences has announced the finalists for the 41st Student Academy Awards. The awards ceremony will take place on Saturday, June 7, at the DGA Theater in Hollywood. Among the five categories, one of them is dedicated entirely to animation, and another category—Alternative—includes animated films in it, too.
The Walt Disney Family Museum has opened a new exhibit focused on one of the studio's legendary Nine Old Men: "Leading Ladies and Femmes Fatales: The Art of Marc Davis." The show will be up through November 3. Unlike the museum's current Mary Blair exhibition, the Davis show is much smaller, with around 70 pieces on display.
Fox's experiment with late-night animation didn't go as well as they had anticipated. The network will end its Saturday late-night animation block ADHD (Animation Domination High-Def) in June, less than a year after it began. It was originally created as a replacement for the cancelled sketch comedy show "MADtv."
The Oscar-winning Louisiana animation studio Moonbot recently announced that it is developing multiple feature-length film projects. It has acquired the film rights to two YA book series: the "Olivia Kidney" trilogy by Ellen Potter, which it plans to do as a live-action/animation hybrid; and "The Extincts" by Veronica Cossanteli.
This week's "Steven Universe" dived into the whirlwind that is the mindset of an insecure youth, in ways that were similar to the episode “Lars and the Cool Kids.” At first, the episode didn’t really make any sort of impression on me. It took another viewing for me to grasp its depth—or at least theorize things in the whirlwind that in my own mind at 3am.
"Feast," a new short by "Paperman" head of animation Patrick Osborne, will debut at the Annecy International Animated Film Festival on June 10, Disney announced this morning.
I can remember looking at anime titles in British video catalogues back in the nineties; as the pastoral fantasies of Hayao Miyazaki would not reach prominence in this country until the new millennium, UK distributors placed a strong emphasis on futuristic thrillers. The films of Mamoru Oshii certainly fit that bill.