KrumbleTV Creator On Making Animated Films With Metahuman Creator
Using his unique production methods, the self-taught Russia-born, Texas-based animator is able to produce an entire animated short in one workday.
Using his unique production methods, the self-taught Russia-born, Texas-based animator is able to produce an entire animated short in one workday.
Indian animator Prosenjit Biswas walks us through his process of using Cartoon Animator 5 to create his animation projects.
Displaced to London and Montreal by the Russian invasion, the siblings made the Ukrainian Academy Award-nominated 2022 short 'Little Wings.'
Autodesk senior engineering director Jeff Bell explains the benefits of the company's new cloud-based asset management platform, Flow.
A collection of the tributes and obituaries we published over the past 12 months to honor lost figures from the global animation community.
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
The fifteen shortlisted filmmakers for the Best Animated Short Academy Award talk about the visual development of their films.
"I know how to do every job in animation, so I'm gonna just sit down and do this," Kopp says of his decision to go indie.
Picchu writer-director Amaru Zeas highlights the educational challenges and beauty of his native Ecuador.
Dutch artist Jasper Hesseling used iClone to model and animate a 3d Jessica Rabbit in just two weeks.
FuzzyPixel producer Jen Dahlman explains how the cloud can help streamline animation production.
Independent animator Cas van de Pol tells us how he organically grew his following into a hit Youtube channel.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
Looom, available on Ipad, is pitched at both non-animators who want to learn and pros who want to experiment.
Get the free ebook "Making an Animated Short."
Developers behind some of the industry's most widely used softwares are making it easier to work from home.
GLAS has unveiled a slate of distinguished guests for its 5th edition.
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
Canadian animator Chris Dainty walks us through the complex production process of his new NFB short.
How can young directors work most effectively with studio executives?