RIP Gary Leib, New York Filmmaker, Animator, And Cartoonist, 65
Leib created animation for The New York Times and films including "American Splendor" and "American Ultra."
Leib created animation for The New York Times and films including "American Splendor" and "American Ultra."
Disney's "The Mandalorian" was the other big winner, scoring three wins.
Terry Gilliam, Peter Chung, and Wendy Tilby and Amanda Forbis will be among the guests at the virtual festival, which takes place on April 5–11.
The pitching event is a key platform for Central and Eastern European animation in particular.
Can you tell your Starevich from your Švankmajer? Oyama from Ofuji? If not, The Cinema Cartography's video is here to help.
The titan of Chinese subculture continues its shift toward mainstream animation production.
In his long career, Bell animated for prominent studios including Terrytoons, Hubley Studios, Perpetual Motion Pictures, and J.J. Sedelmaier Productions.
What does cinema-going mean to animation — and what will change in this new era of streaming?
The online festival, which takes place January 18–31, will showcase the cutting edge of Austria's indie animation scene.
"Here was an insanely beautiful film that was about me!" says Hulsing. "About the pain and depression and craziness that I felt."
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
"I just don't think we'll ever get something that game-changing in animation again," says Louis of Katsuhiro Otomo's cyberpunk classic.
Some of the best, funniest, and downright weirdest films on the animated shorts circuit are now available to view for free online.
We dive into the feature projects presented at this year's pitching forum.
Release date reshuffles, a "Lion King" sequel, a new studio from Don Bluth, and more…
Susan Young's 1985 short is set during London's famed Notting Hill Carnival. "The thing that really excited me was that she’d used animation to say something about society at that time," says Quinn.
"I didn’t initially know that 'Gatchaman' was a Japanese production," says Tindle, "but I could sense that it was different."
Clay, needle felt, trail mix — it all comes alive in these eye-catching accounts.
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
The initiative aims to "inspire local creativity while raising the bar for independent animation worldwide."