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‘Spongebob’ Creator Stephen Hillenburg Honored With Special Emmy Award
See a special tribute to "Spongebob" creator Stephen Hillenburg, and a full list of winners from the Daytime Creative Arts Emmy Awards.
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How ‘Ready Player One’ Combined Virtual Production And Motion Capture Tools To Create Digital Characters
A look at the steps involved in "Ready Player One"’s virtual production paradigm.
EXCLUSIVE TEASER: First Look At Spanish 2D Feature ‘Buñuel in the Labyrinth of the Turtles’
Here's an exclusive first-look at a very unconventional 2D feature film from Spain.
‘Lilou’ By Rawan Rahim
Lilou is extremely sensitive and curious, but also crippled by an unbearable shyness. She receives the power to see into the past of people, and that will force her out of her introversion.
PREVIEW: Pakistani Animated Feature ‘Allahyar and The Legend of Markhor’
A real-time rendering pipeline using Unreal Engine 4 helped make possible this soon-to-be-released feature from Pakistan.
How One Animator Is Making His Own CG Series With Unreal Engine
Peter Monga shares the lessons he’s learned creating "Morgan Lives in a Rocket House" on his own with the Unreal game engine.
‘The Unconquered’ by Michał Misiński
An animated film that shows the fight of Poles for freedom, from the first day of World War II to the fall of communism in 1989.
Upcoming Animated Series ‘Zafari’ Is Being Rendered Completely With The Unreal Game Engine
"Zafari'"director David Dozoretz on how his animated tv series is using real-time rendering - and the new possibilities that tv creators have with real-time rendered CG series.
INTERVIEW: How Jorge Gutierrez Learned to Embrace the Polygon While Making ‘Son of Jaguar’
For a filmmaker, working in vr is like chopping off someone's legs and telling them to run, says "Son of Jaguar" director Jorge Gutierrez.
30 Years Ago: Disney Released Its First Fully-CG Animated Short, ‘Oilspot and Lipstick’
Before "Frozen" and "Zootopia," there was a film called "Oilspot and Lipstick."
INTERVIEW: Sébastien Laudenbach On How He Created A Masterful Dark Tale, ‘The Girl Without Hands,’ Entirely By Himself
A haunting animated gem, created entirely by one person, starts its U.S. theatrical run today.
‘Wigging Out’ by The Nib and Augenblick Studios
Nuke first, ask questions about basic geography later. A new animated series by The Nib.
Drawing On Classic References, ‘Boss Baby’ Director Tom McGrath Explores A Fresh Look
The animation and design of ‘The Boss Baby’ is a deliberate throw-back to old-school styles.
‘Trollhunters’ Leads All Animated Series With 7 Daytime Emmy Nods
Dreamworks' tv division leads all animation studios with 21 nominations.
The New Wave of European Animated Features: Small Budgets, Big Freedom
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
‘Rock Dog’ Director Ash Brannon On How To Navigate A Chinese-Funded Production
Made in America with Chinese money, does "Rock Dog" represent a future for animated features?
Michael Dudok de Wit’s ‘The Red Turtle’: 5 Interesting Facts About The Film’s Production
Learn about the unique production pipeline used by director Michael Dudok de Wit to create the Oscar-nominated feature "The Red Turtle."
How ‘Trollhunters’ Went From A Feature Project To Netflix Hit: An Interview with Showrunner Rodrigo Blaas
Is feature quality possible in a tv series? Rodrigo Blaas tried to find out with Dreamworks' new hit "Trollhunters."
How Laika Used a Bowling Ball to Animate the Giant Eyes in ‘Kubo and The Two Strings’
A 'hacked' bowling ball helped Laika's animators create a crucial underwater scene for the film.
‘How The Grinch Stole Christmas!’ is 50 Years Old Today—And It’s Still Great
We celebrate the 50th anniversary of the holiday classic with a gallery of rare artwork from the film.
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