Navigating VR Animation Production: Patrick Osborne And His Team On Creating ‘Pearl’
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
Acting instructor Ed Hooks explores the animated performances of this year's five feature animation nominees.
Steve Cutts may not be a household name, but his viral films got him the gig of a lifetime.
The outspoken animation legend speaks with Cartoon Brew about his new film "The Last Days of Coney Island" and other topics.
One of only two female directors currently at Disney Television Animation, Aliki Theofilopoulos speaks frankly about the ups and downs of her career in the animation industry.
Heading into its fifth weekend at the U.S. box office, Genndy Tartakovsky’s Hotel Transylvania 2 has proven to be a crowd-pleaser in both …
Women don't receive the same opportunities as men do in animation, and they're finally speaking out about it.
How an indie animator in New York City added a unique animated touch to a major Hollywood film.
New episodes of "Harvey Beaks" were pulled from the network's summer schedule with no warning to the staff.
Critics pretty much couldn't stand Adam Sandler's videogame vehicle, but who couldn't see that coming?
An animation-specific roundup of panels, presentations, and other cartoon goodness at America's biggest pop culture festival.
Cops, carnies, and a Cretaceous Caligula are coming to your screens.
The classic Looney Tunes star is now a New York City cab driver.
Steve Hulett remembers the time when Disney artists were told they were being moved to a warehouse off the lot, and the animation division's first "gong show" pitch session.
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Peco and Dragon battle it out in a fierce match, and Peco's victory paves the way for a climactic showdown between old friends.
The first chapter of Steve Hulett's memoir about working as a writer at Disney in the late-Seventies and Eighties.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project "The Last Days of Coney Island," which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.
When the server enters the drawing room of the Crosby Hotel, Kirk DeMicco’s eyes begin to dance, “Mini desserts are coming! Many, many mini desserts!” Both DeMicco ("Racing Stripes," "Space Chimps") and Chris Sanders ("Lilo & Stitch," "How to Train Your Dragon") are in New York to take part in a presentation on the making of "The Croods," the animated film that they directed for Dreamworks earlier this year, which went on to gross nearly $600 million worldwide.