Behind The Scenes of ‘Mr. Carton’: The Animated Series Made With a Game Engine
The French production is the first television animated series made with the Unity game engine.
The French production is the first television animated series made with the Unity game engine.
The animation and design of ‘The Boss Baby’ is a deliberate throw-back to old-school styles.
A first look at "Ferdinand," the next film from "Ice Age" maker Blue Sky Studios.
Dreamworks' tv division leads all animation studios with 21 nominations.
"Song of the Sea" director Tomm Moore is ready to reveal details about his third feature, the "final panel of our Irish folklore triptych."
Watch the teaser for "Kensuke's Kingdom," a feature film based on the bestselling children's novel by Michael Morpurgo.
After 20 years in the industry, Oscar-nominated short filmmaker and commercial director Grant Orchard discovered that tv series production has its own unique challenges.
Learn about the unique production pipeline used by director Michael Dudok de Wit to create the Oscar-nominated feature "The Red Turtle."
Four days of animation screenings, filmmaker talks, workshops, installations, and parties are coming to Berkeley, California, next month!
Illumination, makers of "Sing" and "Secret Life of Pets," doesn't play by the standard rules of Hollywood feature animation. Here's one way they're breaking the rules.
Illumination doesn't publish 'art of' books for its films, but you can still get a behind-the-scenes look at how their films are designed.
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Watch the Annie Awards live on Cartoon Brew tonight.
Alberto Vázquez made history tonight at the Goya Awards, winning both the animated feature and short film prizes.
This year's Oscar-nominated vfx supervisors name their toughest shots—and they're not all what you might think.
Disney's live-action/cg remake of "Beauty and the Beast" is forty minutes longer than the original.
These four films are Oscar-worthy, but will the Academy recognize them tomorrow?
Is feature quality possible in a tv series? Rodrigo Blaas tried to find out with Dreamworks' new hit "Trollhunters."