‘Coco’ Launches #1 In U.S. and China
"Coco" is finding friends around the world.
"Coco" is finding friends around the world.
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
A big hit in Japan, "A Silent Voice" has made its to American theaters. We spoke with the director about her one-of-a-kind film.
"Despicable Me," the most financially successful theatrical animation franchise of all-time, has unlikely roots in an independent Spanish studio.
The studio looked to real world reference for water, sand, fire, and smoke in their latest Lego movie.
Without any advance publicity or notice, The Weinstein Company has quietly slipped the Chinese animated feature "The Guardian Brothers" onto Netflix.
See "Samurai Jack" on the bigscreen.
Mexico’s Pixelatl Festival is gearing up for its next supercharged edition, starting September 5 in Cuernavaca, Mexico.
"Bambi" offered a warning to humanity, but no one listened.
"The Nut Job 2" broke an all-time cinematic record for people NOT seeing a film.
China's Original Force is jumping into the cgi fray with "Duck Duck Goose." Here's a first look at the film.
Disney is exploring a new way to automate speech animation with computers.
Bow to your new cartoon overlords: Gru and his minions have become the top-grossing animation franchise of all-time.
Stop-motion animation is booming in Los Angeles, so why are artists left to fend for themselves when it comes to negotiating their employment agreements with the various studios. Cartoon Brew investigates.
Netflix has a new philosophy when it comes to anime: go big or go home.
Before "Frozen" and "Zootopia," there was a film called "Oilspot and Lipstick."
A new film from the co-director of "Ernest & Celestine."
The Chinese animated feature "Have A Nice Day" is headed to U.S. theaters this fall.
"Cars 3" opened more poorly than the other two films in the Disney-Pixar-franchise, but it's still a big winner for Disney.
With over 100 animated features in development and production across Latin America, the region is setting itself up for an animation renaissance.