EXCLUSIVE TEASER: ‘Substance,’ A New Film By Jamaal Bradley
Jamaal Bradley has worked on some of Hollywood's biggest animation productions. Now he's making his directorial debut with the feature-quality independent short "Substance."
Jamaal Bradley has worked on some of Hollywood's biggest animation productions. Now he's making his directorial debut with the feature-quality independent short "Substance."
He was a master of limited television animation, and proved that it can be as fun and creative as full animation.
The director and star of Cartoon Saloon's powerful new work, "The Breadwinner," speak to Cartoon Brew.
Women in animation speak openly with Cartoon Brew about what it means to work in the business while being a mom, and what the industry should be doing to support their careers.
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Alberto Vázquez made history tonight at the Goya Awards, winning both the animated feature and short film prizes.
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Cartoon Brew attends DOK Leipzig to look at how a festival mixes together animation and documentary filmmaking.
The biggest collection of material ever from the production of the seminal Disney film 'Pinocchio' is currently on display in San Francisco.
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
Bastien Dubois talks to Cartoon Brew about the challenges of transitioning from an indie filmmaker to a TV series creator.
Rémi Chayé's unique hand-drawn feature is earning plenty of accolades, but finding an audience isn't easy.
The outspoken animation legend speaks with Cartoon Brew about his new film "The Last Days of Coney Island" and other topics.
From animation students to Oscar-nominated studios, Anime Studio Pro is the animation software of choice for many artists today.
The Hungarian animation director opens up on his more than 50 years in animation.
"Pim and Pom: The Big Adventure" was not only made on a tiny budget, but had the added challenge of translating the visual style of one of the most beloved Dutch children's book illustrators.
A girl has to conquer her fear for her grandma who is deathly ill.
Masaaki Yuasa's fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.