The Animation That Changed Me: Wesley Louis on ‘Akira’
"I just don't think we'll ever get something that game-changing in animation again," says Louis of Katsuhiro Otomo's cyberpunk classic.
"I just don't think we'll ever get something that game-changing in animation again," says Louis of Katsuhiro Otomo's cyberpunk classic.
Susan Young's 1985 short is set during London's famed Notting Hill Carnival. "The thing that really excited me was that she’d used animation to say something about society at that time," says Quinn.
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he's been teaching kids how to create animated films for over 30 years.
Animators are invited to create videos across a range of categories using Cartoon Animator 4.
"I have a kind of fascination with things that have gotten out of control," says Kabuki. "It's animalistic and erotic."
How do you create a world that's both cute and threatening? The show's art director Angela Sung explains.
Veteran animator Morgan Williams offers motion designers some valuable advice — and runs courses for those who want to learn more…
Learn to take criticism. Don't assume you'll learn much at school. And always think of the nose…
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature's budget. He tells us how he did it.
A new documentary reveals how the 70-year-old comic strip is produced.
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made "the first feature animated art film in the history of Polish cinema."
The director and production designer of Netflix's latest animated feature talk about their creative approach and influences, from "Citizen Kane" to bats in toilets.
Uli Meyer speaks to Cartoon Brew about the challenges of adapting Ronald Searle's artwork to animation.
Revisiting the forgotten history of the unmade animated version of "Cats." The project passed through different styles, teams, and countries, before collapsing.
Matt Williames talks us through the special appeal and unprecedented challenges of working on Sergio Pablos's "Klaus."
"Klaus" brings hand-drawn animation back — but it also pushes it forward. The film's artists tell Cartoon Brew how they created the film's unique look.
The showrunners of three series — "Puffin Rock," "Moominvalley," and "Cupcake & Dino: General Services" — told us what helped them make the first season of their shows.
Howard Vause documents his journey from media arts to animation director, and how he used Cartoon Animator to create his first professional animated short.