Disney Animation’s Success Is Tied To Pixar Acquisition, Says Bob Iger On His Way Out Of Disney
As he prepares to leave the company, Disney's former CEO has been reflecting on his career in interviews.
As he prepares to leave the company, Disney's former CEO has been reflecting on his career in interviews.
Elaborating on ideas is better for the creative process than rejecting them outright.
SeeU vs. Mavis: spot the difference.
What’s the big deal with real-time rendering? Sure, you can shorten production time by cutting out long waits for rendering, but there’s a whole lot more to it than that.
Dash Shaw's bold, trippy feature opens in North America on Friday.
The film will be released in 2022.
The awards, which celebrate the best in Spanish, Portuguese, and Latin American animation, will be held on May 29.
It's a good year for Disney+ exclusives.
If nominated for an Oscar, "Umbrella" will become the first Brazilian film to reach that stage in the animated short category.
Welcome to our first-ever monthly guide to streaming animation.
Clifton's appointment builds on her collaboration with the company on two upcoming series, "Lena!" and "Harriet the Spy."
The "Croods" sequel opens strongly, SIGGRAPH goes virtual (again), and labor practices at vfx studios continue to stir controversy …
"To my eyes, this is a genuine work of theater," says Jean.
"Je vois dans ce film un véritable travail dramaturgique," dit Jean.
"The sprawling story seems to touch on almost every aspect of human life," says Long. "I found it overwhelming and strangely addictive."
Cinemas floundered in the West while the box office rebounded in the East. Then there's Quibi…
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
Consolidation ahoy! Sony is already home to several anime units, including Crunchyroll's main competitor Funimation.
TV writer Jeff Lowell tweeted that his young colleagues know too few classic shows. His comments caused quite a stir.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.