.png){kind=logo}
How did Aymeric Kevin and his team manage to produce so many quality backgrounds on such a short schedule? Aymeric speaks to Cartoon Brew about the background art of "Ping Pong."
Masaaki Yuasa's fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
She's really just your average teenager living an abnormal life. She's Abby, and yet she's not normal... she's Abinormal!
I was back in Don Duckwall's office, exchanging insincere smiles with him. I had been on "The Fox and the Hound" with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
Peco and Dragon battle it out in a fierce match, and Peco's victory paves the way for a climactic showdown between old friends.
The 41st Daytime Entertainment Creative Arts Emmy Awards were held last Friday in Los Angeles. The big winners in the animation categories were the PBS series "Peg + Cat" and the Nick series "Peter Rabbit," which each picked up three awards.
Peco blazes through the tournament, but his knee begins to act up, leaving his future in question. Only Peco, Smile and Ryuichi remain at the end.
Nickelodeon has picked up a new series: "The Loud House" by animation veteran Chris Savino. The series is inspired by Savino's own "chaotic life growing up in a huge household," and follows a boy named Lincoln who lives at home with his 10 sisters. The concept received a 13-episode greenlight based on the following pilot from the studio's 2013 Animated Shorts Program.
Peco catches everyone off guard at the High School Championship Qualifiers with his newfound skills, skunking Kong in a reversal of the events of the previous championship.
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
Disney's head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing...and few buildings were being erected.
Kaio finally tries to poach Smile, Peco gets into the National Training Center with a little help from the old lady, and we learn about coach Koizumi's storied past. This episode was largely devoted to character development, and finally brought into focus just what a complicated web of character interrelations Yuasa has woven out of the original source material, much as he did in Mind Game. There was no single major driving plot element, but rather various themes and plotlines gradually converging. By this point it feels like what we are seeing is more Yuasa than Matsumoto.
Joanna Davidovich is a freelance animator based in Atlanta, Georgia. A graduate of the Savannah College of Art and Design, she has been working as an animator, designer, and storyboard artist on commercials, on-air content, and TV shows since 2005. Her animated short film "Monkey Rag", which debuts online this afternoon, has been making the festival rounds since it was completed last July.
Half a year on from the events of the previous episode, it's a winter of the soul for the various protagonists. We see just how much has changed in the intervening months through the kaleidoscopic lens of one Christmas Eve.
"A Dangerous Journey" (part funded by Comic Relief) warns young African women of the dangers of being coerced and tricked into prostitution by traffickers who use scare tactics perpetrated by native doctors and false promises.
Tonight, Cartoon Network quietly released two new pilots that were produced in 2013: "AJ's Infinite Summer" created by Toby Jones and "Long Live the Royals" by Sean Szeles. Both Jones and Szeles work on "Regular Show"—Jones as a writer/storyboard artist and Szeles as a supervising director/writer/storyboard artist.
Reading beforehand what this episode was supposed to be about, my mind completely went somewhere else. Steven’s at that age when boys want alone time for a very specific reason and while I was 99.9% sure Cartoon Network wasn’t going to go that far, I thought they’d at least allude to that idea of adolescence and growing up. Instead we dived into the real reason (sort of) that Steven wanted to be left alone, and dug a little deeper into the idea of his parental units via a room and a weird, very strange world created by said room.
Ryuichi Kazama continues his victorious streak with a singles win at the Youth Olympics, while Sakuma and Peco realize they aren't cut out for the sport after witnessing Smile's continued improvement. At the halfway point in the story, we seem to be in a transitional stage in which the relationships of the players to one another and their attitude towards the sport are changing. The episode didn't have much tension to it partly as a result of that. There was no strong driving narrative force. That made it one of the less memorable episodes so far.
Marc James Roels and Emma De Swaef are an animation duo from Ghent, Belgium. Their work has gained extensive notoriety in the past few years, after their 17-minute wool-animated short "Oh Willy…" swept the festival circuit, racking up countless awards and charming the hearts of audiences across the globe.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project "The Last Days of Coney Island," which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.