‘The Tick’: Making A Completely CG, 2,000-Foot Human On A TV Schedule And Budget
Behind the scenes of FuseFX's Very Large Man digital human created for the Amazon series "The Tick."
Behind the scenes of FuseFX's Very Large Man digital human created for the Amazon series "The Tick."
This fun set of Nick promos and bumpers by Aardman Nathan Love will put you in a jolly holiday mood.
An exploration of the storytelling power of real-life materials in animation.
Do we need an Addams Family reboot? MGM seems to think so.
Cartoon Brew presents 60+ films that are known to have qualified for the animated shorts category of the 2018 Academy Awards.
Peter Monga shares the lessons he’s learned creating "Morgan Lives in a Rocket House" on his own with the Unreal game engine.
"Zafari'"director David Dozoretz on how his animated tv series is using real-time rendering - and the new possibilities that tv creators have with real-time rendered CG series.
More than 15 years ago, Disney tried to make "Gemini Man," a film in which a real actor interacted with his younger CG self. This is the story of the studio's ambitious attempt to make a convincing CG human.
We're launching this new resource to help readers keep track of American animated features in development.
Before "Frozen" and "Zootopia," there was a film called "Oilspot and Lipstick."
How deliberate errors, unusual animation inputs, and ‘ugly’ simulations resulted in a one-of-a-kind animated short.
With over 100 animated features in development and production across Latin America, the region is setting itself up for an animation renaissance.
The main characters will be 2D-animated, but the series will incorporate mixed-media elements.
Arthur de Pins' "Zombillenium" will be the festival's opening night film.
Anime fans lifted "Your Name" to a 13th place finish in U.S. theaters.
The new rule changes could make the animated feature category much less friendly to independent and foreign animated films.
Visual effects played a huge role in bringing Michael Pitt’s Kuze villain to life in the new live-action version of 'Ghost in the Shell.'
"It’s not going to look like a Pixar movie, where you see money on the screen," says "Ernest & Celestine" director Benjamin Renner.
Disney's live-action/cg remake of "Beauty and the Beast" is forty minutes longer than the original.
These four films are Oscar-worthy, but will the Academy recognize them tomorrow?