Short Pick Of The Day: ‘Post Requisite’ by Winston Hacking
Music video for Flying Lotus' "Post Requisite."
Music video for Flying Lotus' "Post Requisite."
Using TVPaint, the filmmakers of "Sam's Dream" were able to achieve the hand-made painterly quality that they were looking for.
The trendsetting Japanese animation director is being honored with a major retrospective in Tokyo.
Students from School of Visual Arts's MFA Computer Arts department share what they learned at their summer internships.
As usual, animation and vfx played a big role in the making of "Ant-Man and The Wasp."
Animation supervisor Alan Hawkins shares animation secrets behind Blobby, Count Dracula’s bat transformations, and the Kraken.
Academy Award winner Ed Jones explains what it took to create "Who Framed Roger Rabbit" in the days before digital vfx.
Cartoon Network's new "DIY" miniseries is a quirky and inspiring experiment, both conceptually and production-wise.
Tim Burton is putting his spin on one of Disney's most perfect animated features.
Pearl studio directors Glen Keane and Jill Culton will present more details about their projects at Annecy this week.
Everything from a Japanese detective who's a literal butt to a new preschool series by "Rocko's Modern Life" creator Joe Murray appear in our latest series round-up.
The animation industry is speaking loudly, clearly, and collectively about John Lasseter. Why isn't the Walt Disney Company listening?
Created by ex-Disney artists, Taiko Studios had to learn some new tricks in international collaboration to create its first project, "One Small Step."
An insight into Image Engine’s work as one of several vfx studios on the new Netflix series, “Lost in Space.”
A Disney legend is stepping down after 40 years at the studio.
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
Glen Keane will direct a feature film for Netflix.
The moody universe of this Oscar-contending short was created with 2,500 sheets of recycled cardboard.
The ASIFA-Hollywood Annie Awards love Disney.