INTERVIEW: Masaaki Yuasa On His Creative Process For ‘Lu Over The Wall’
The Japanese filmmaker's toe-tapping latest "Lu Over the Wall" open in the U.S. this Friday.
The Japanese filmmaker's toe-tapping latest "Lu Over the Wall" open in the U.S. this Friday.
All the key details about this weekend's new animation release: "Sgt. Stubby: An American Hero."
Two 2017 graduates of School of Visual Arts’ MFA Computer Arts department recently sat down with a current student, Devan Worth [Graduate …
Here's a roundup of some animated series projects that are currently in development or production.
Read our case study of how a young Japanese studio is using Toon Boom to create traditional pencil-and-paper quality work, while respecting their artists’ process and culture.
The biggest challenge for "Coco" director Lee Unkrich this award season: pretending that his film's executive producer, John Lasseter, doesn't exist.
In order to produce "Negative Space," a gorgeous stop-motion short that illustrates a father and son’s shared ritual of perfectly packing a suitcase, the directors were forced, rather appropriately, to get quite good at the art of packing themselves.
To make the film he truly wanted to make, industry artist Robin Joseph had to go indie. Now, his film "Fox and the Whale" is shortlisted for an Academy Award.
The mystery is finally over. But is it a revolutionary device?
Hiring a feature film studio head, Netflix sends a clear signal about their feature film ambitions.
Why is Hollywood obsessed with making animated films based on intellectual property that doesn't have any stories, characters, or mythologies?
Titmouse brought its A game for the new Amazon fantasy-adventure series "Niko and the Sword of Light."
A haunting animated gem, created entirely by one person, starts its U.S. theatrical run today.
How the vfx crew used on-set puppeteering and cg to bring the star of 'Okja' to life.
The writer and co-director of "A Stork's Journey" shares the ups and downs of making an indie animated feature across four European countries.
An Annecy veteran gives some helpful advice for how to navigate the biggest international animation film festival and market.
After 20 years in the industry, Oscar-nominated short filmmaker and commercial director Grant Orchard discovered that tv series production has its own unique challenges.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
From talking dumps to religion, Sony's 2017 slate is nothing if not eclectic.
An animated short about growing old and the fear of losing the beauty of youth.