Animators Paid A Mere $34/Cut On Mappa Anime Show For Netflix, Says Animator
"As I see it, the problem is that Netflix, a company with vast resources, has started commissioning at low rates," says Ichii.
"As I see it, the problem is that Netflix, a company with vast resources, has started commissioning at low rates," says Ichii.
Work smarter and faster in Maya - discover the essential toolset used by animators at feature film and AAA-game studios.
Reviews of three disparate films that played in competition at this year's Annecy festival.
Enrico Casarosa’s radiant first feature is an ode to the kind of bond that only young boys can form.
"Hot Pot! Cartoons" will aim to find Chinese artists and bring their animated shorts to the global market.
The film will be released in October.
"They’re so good with the cg, I can’t even tell the difference anymore," says Craig Gillespie.
The film will be co-produced by Laurence Fishburne's Cinema Gypsy Productions.
The most striking thing about Dreamworks's latest is that it's coming out exclusively in theaters.
For the Greenpeace campaign video "Wasteminster," the studio had to drop the equivalent of 67.7 million items of cg trash onto the U.K. prime minister's residence.
Does Marge’s hair look better when it swings round, rubber band-style, or when it turns crisply?
An appreciation of one of the titans of the animation world.
Fox is embracing non-fungible tokens, the contentious tech that's shaking up the crypto and digital art worlds.
We're growing our team here at Cartoon Brew with openings for multiple freelance positions.
Tom Sloan explains how, back in the 1980s, he and his colleagues animated the little man who lived on a plastic cup.
Cartoon Brew's associate editor Alex Dudok de Wit spent a very long time thinking about a very sad film. Here are some of his conclusions.
Joanna Quinn's new film "Affairs of the Art" took years to make, but that was a reward in itself: "It was like an extended college, and I felt I was learning new things about animation, drawing, and direction all the time."
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
Naisbitt was exceptionally skilled as a draftsman, and had a talent for distorted perspectives and unconventional camera moves.
Leib created animation for The New York Times and films including "American Splendor" and "American Ultra."