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Netflix’s New Animation Division Has A Secret Weapon: James Baxter (Exclusive Interview)
Cartoon Brew speaks with master animator James Baxter about his new role as Director of Character Animation at Netflix.
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Henry Selick Looks Back On 25 Years Of ‘Nightmare Before Christmas’
With a new Blu-Ray release of the film debuting today, director Henry Selick shares stories behind the making of "The Nightmare Before Christmas" on its 25th anniversary.
EXCLUSIVE: Dreamworks Directors On How They Made ‘Bilby,’ And On The Studio’s New Shorts Program
Directors Pierre Perifel, Liron Topaz, and JP Sans reveal how working on the new Dreamworks short transformed them as filmmakers.
‘Who Framed Roger Rabbit’ Hits 30: A Look Back At ILM’s Astonishing Old-School Optical VFX
Academy Award winner Ed Jones explains what it took to create "Who Framed Roger Rabbit" in the days before digital vfx.
Cannes 2018: Directors’ Fortnight Selects Films By Mamoru Hosoda, Emma De Swaef, and Marc Roels
Four animated projects are getting the spotlight at Cannes' Directors' Fortnight sidebar.
Remembering Fred Crippen: The Iconoclast Creator Of ‘Roger Ramjet’ Dies At 90
He was a master of limited television animation, and proved that it can be as fun and creative as full animation.
Stop-Motion Cinematography: Q&A With ‘Isle of Dogs’ DOP Tristan Oliver
A look at all the intense work that went into the cinematography of Wes Anderson's "Isle of Dogs," before a single frame is ever animated.
‘Festivals Are A Community Endeavor’: Talking With The Organizers Of GLAS Animation Festival
Next week, artists from across the U.S. and Canada, as well as Europe and Asia, will be in Berkeley, California for GLAS Animation Festival. We talk to the organizers about what makes the event so unique.
RIP: Bud Luckey, A Key Part Of Pixar’s Creative Team
Pixar's oldest employee, Luckey played a key role in the early years of the studio's feature films.
2018 Sundance And Slamdance Review: Animation Infiltrates The Festivals
We sent a reporter to the Sundance and Slamdance film festivals to check out animated films - and what we found surprised us.
The Wonderful World Of Cardboard In Daniel Agdag’s ‘Lost Property Office’
The moody universe of this Oscar-contending short was created with 2,500 sheets of recycled cardboard.
Carlos Carrera On The Long Struggle To Finish The Mexican Feature ‘Ana And Bruno’ (Exclusive English-Sub Trailer)
Oscar-nominated and Cannes-winning film director Carlos Carrera speaks with us about his long-awaited feature "Ana and Bruno."
20-Year Anniversary: Creature Supervisor Phil Tippett Reflects On ‘Starship Troopers’
Visual effects legend Phil Tippett looks back at two decades since "Starship Troopers," and shares recently unearthed location scout and on-set video from the film.
Moms In The Hollywood Animation Industry Speak Out
Women in animation speak openly with Cartoon Brew about what it means to work in the business while being a mom, and what the industry should be doing to support their careers.
The Humble Roots Of The Mega-Hit Franchise ‘Despicable Me’
"Despicable Me," the most financially successful theatrical animation franchise of all-time, has unlikely roots in an independent Spanish studio.
‘Ugly,’ ‘Night Is Short, Walk on Girl’ Win Ottawa Grand Prizes
"Ugly," a film made with funding from Cartoon Brew, won the short film grand prize tonight at the Ottawa International Animation Festival.
5 Highlights From The 2017 Animation Block Program
Whether you're into "Bojack Horseman," "Raggedy Ann and Andy," or "Bee Movie," Animation Block Party 2017 will have a little bit of something for all tastes.
‘Alien: Covenant’: How On-set Suit Performances, Mo-cap, And VFX Each Played A Role In Production
Behind the scenes of Ridley Scott's newest "Alien" film, with before and after image breakdowns.
Going Into and Beyond Peyo’s World for ‘Smurfs: The Lost Village’
How Sony referenced the original material and looked to new horizons for the latest Smurfs feature film.
‘Zootopia’ Acting Analysis: An Anthropomorphic And Metaphoric Muddle
As entertaining and satisfying as "Zootopia" may be on a scene-by-scene basis, the movie ultimately fails because it insists on having it both ways simultaneously - anthropomorphic and metaphoric.
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