Inside ‘MechWest’: How Blue Sky Vet And AnimSchool Founder David Gallagher Is Building An Indie Pipeline
Discover how Dave and Noah Gallagher built MechWest, a family-led indie series powered by AnimSchool grads and global collaborators.
Discover how Dave and Noah Gallagher built MechWest, a family-led indie series powered by AnimSchool grads and global collaborators.
Aardman and TikTok launch a contest for Shaun the Sheep fans, with one winner set to be immortalized in clay as a character in 'The Beast of Mossy Bottom.'
Julian Glander’s debut feature, 'Boys Go to Jupiter,' blends surreal CG animation, Gen Z humor, and DIY production into a one-of-a-kind indie film.
'We treated the cars like characters': Kevin Van Der Meiren and David Nicolas on the show's surreal Hot Wheels-inspired titles.
“I wasn’t aiming for realism,” says "MirrorMask" director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target."
"Let us live; let us go home; stop the bombs," said Annecy's artistic director Marcel Jean at Saturday night's closing ceremony.
The unauthorized documentary provides new insights into the 30-year history of one of America's most famous animation studios.
Valley walks us through his inspirations and development of key scenes in his visually stunning installment for the Netflix anthology series.
We take a look at ten new shorts screening at this year's Annecy Festival.
A new season premieres next month, a decade after the show wrapped up its original run.
The festival will present "the trippiest, most transcendentally beautiful, riotously bizarre and third-eye-opening animation from around the globe."
Researchers are touting these new AI-generated Tom & Jerry experiments as examples of how they can generate longer and more consistent AI video.
John Dilworth analyzes the inspiration and creative processes of his short werewolf comedy 'Howl If You Love Me.'
The show about comedian Kevin Hart as a child is BET+’s first original adult animated series.
Schemoul, an animation industry artist in France, worked nights and weekends for nine months to create this stunning, dreamlike film.
Using his unique production methods, the self-taught Russia-born, Texas-based animator is able to produce an entire animated short in one workday.
"Without AI, the work would take a minimum of one week to ten days. Using AI, it is about four of five hours," says the studio's design director.
The director and vfx supervisor spoke about how they learned not to obsess over single shots, reducing the amount of work for everyone involved.
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.
In this exclusive series, the filmmakers behind each of this year's Oscar-shortlisted shorts reveal their favorite shots.