Three Of This Year’s Oscar-Qualified Directors Discuss The Enduring Appeal Of 2D Animation
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
Nearly half of this year's 33 Oscar-qualified animated features feature hand-drawn 2d animation, or cg meant to look hand-drawn.
Henn was supervisor of five female leads: Ariel, Belle, Jasmine, Mulan, and Tiana.
'Mushka' was little more than an idea when a lunch reunion with Richard Sherman inspired Deja to bring that concept to life.
2024 promises to be another exciting year for animated features!
The episode has been watched more than 33 million times since coming out two weeks ago.
We attended every pitch at this year's Weird Market in Valencia and picked out 10 that deserve a closer look.
'Starling' was produced through Pixar’s co-op program which allows employees to use studio equipment for their personal projects.
Vuillemin's short earned qualification at the Go Short International Short Film Festival after impressing at Zagreb and Berlin.
'Mutant Mayhem' hit theaters on August 2, meaning its exclusive theatrical run was less than one month long.
Tyer's crude drawings and off-kilter movements can give the impression of being slapdash, but like a great jazz musician improvises around a melody, Tyer expertly bent and stretched his characters with a playful sense of experimentation.
Cotugno says the collaborative nature of animation production helped improve their mental health after months of working alone on the comic.
An orange stick figure takes on complex equations in a battle that has animation fans and mathematicians equally excited.
'Chang’An' is the first from the history-based New Culture series of films being developed at China's Light Chaser Animation.
To commemorate the donation, the Academy has renamed the Margaret Herrick Library’s Graphic Arts Department as the Steven Spielberg and Kate Capshaw Graphic Arts Department.
He's directed some of Disney's most beloved films of the modern era, but making I'm Hip required John Musker to do something he hadn't done regularly in the last 40 years: animate.
Deja talks about the work that went into making his dream a reality, and why he thinks other artists should do the same.
Filmmakers from five of the shorts explain how their stories are particularly local, despite being set in a galaxy far, far away.
Director Fable Siegel tells us about the challenges of adapting a hit comic series and animating anthropomorphic cats.
Meanwhile, 'Puss in Boots' managed another $7.4 million globally as it moves closer to the $500M milestone.
Beginning his career as a messenger boy at Disney, Mattinson became an integral member of Disney Animation's creative team for the better part of 70 years.