Netflix’s ‘Arcane’ Is First Streaming Series To Win Animated Program Emmy
Another Netflix production, 'Love, Death + Robots,' won the short-form animation category.
Another Netflix production, 'Love, Death + Robots,' won the short-form animation category.
Artists who worked on Netflix's 'Arcane,' 'The House,' and 'Love, Death + Robots' won awards.
After a decade of development hell, Tim Miller's The Goon film adaptation looks like it's finally going to happen.
The Animation Field Guide is a detailed how-to manual in the techniques of creating animation in real-time using Unreal Engine.
Netflix shared news and artwork for four upcoming features and four series being produced across Europe.
This year's animated feature nominees were predictable. The short ones certainly weren't.
We asked the directors of this year's 15 shortlisted shorts about how they would improve animated short distribution and viewing.
Morgan Galen King and Philip Gelatt started the film as a self-funded passion project. Eight years later, it's in the running for an Oscar.
Follow along for a free education in short filmmaking.
The conference features a stellar line-up of speakers, including Jennifer Yuh Nelson, Enrico Casarosa, and Dean DeBlois.
Netflix and Disney+ dominate the animation and vfx categories with six nominations apiece.
Otto served as head of character animation on Dreamworks's "How to Train Your Dragon" trilogy.
The festival will take place next month both in-person in France and online for those who aren't yet able to travel.
Kambole Campbell reflects on what feels fresh — and what doesn't — in Netflix's new series about a Black samurai.
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
The streamer has also renewed the adult series "Close Enough" and unveiled a slate of four more series in development.
The Oscar-nominated director talks about the animation he created for the new "Belushi" documentary.
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
"I didn’t initially know that 'Gatchaman' was a Japanese production," says Tindle, "but I could sense that it was different."
To find the freshest approaches in commercial cg animation, it pays to look beyond theatrical animation.