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The Oral History of ‘Space Jam’: Part 1 – Launching the Movie
Space Jam is 20 years old! Our 3-part oral history begins with the troubled start to production, character designs, and how the basketball scenes were shot.
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An Oral History of Morphing in Michael Jackson’s ‘Black or White’
We look back at the making of Michael Jackson's "Black or White" music video on its 25th anniversary.
ILM’s Rebel ‘Jurassic Park’ Artists Reflect On The State of VFX Art Today
Mark Dippé and Steve ‘Spaz’ Williams, who created groundbreaking vfx work on "Jurassic Park," "T2," and "The Abyss," talk about what's different about the vfx industry today.
Terrence Malick Prefers Old-School VFX For ‘Voyage of Time,’ Opening Today in IMAX
“It’s kind of like the ultimate [visual effects] project,” says "Voyage of Time" vfx supervisor Dan Glass,
Cartoon Forum Reflects Europe’s Fast-Growing And Changing TV Animation Industry
The 27-year-old pitching and co-production market is one of the most important events in the world of European TV animation.
Who Does What On A CGI Character: The Many Makers of Elliot in ‘Pete’s Dragon’
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
Interview: Mark Osborne’s Personal Journey On ‘The Little Prince’
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.
That Time Vice-Presidential Candidate Mike Pence Reviewed Disney’s ‘Mulan’
This is what happens when a politician reviews an animated feature.
SIGGRAPH 2016: An Animation and VFX Preview
SIGGRAPH can be overwhelming, so here’s an animation and VFX-focused look at what not to miss in Anaheim.
‘After the End’ by Sam Southward — Exclusive Premiere
The only thing worse than being the last man on Earth is being the second-to-last man on Earth.
Navigating VR Animation Production: Patrick Osborne And His Team On Creating ‘Pearl’
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
An Interview With 3 SVA Computer Art MFA Grads Whose Films Were Selected for Annecy
New York City's School of Visual Arts MFA Computer Art department is receiving global recognition for the shorts created by its students.
An Oral History of ILM’s ‘Dragonheart’ On Its 20th Anniversary
"Dragonheart," released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
How ‘The Simpsons’ Used Adobe Character Animator To Create A Live Episode
The producers of "The Simpsons" called on Adobe to help them bring Homer to life in real-time.
Observations from the VR Front: ‘Pearl,’ Invasion!’ and ‘Allumette’
We look at some of the latest high-profile vr animation projects, and offer some thoughts on this new animation frontier.
Animation Can Make Anything Interesting, Even This Overpriced Samsung Fridge
Moonbot created a short about a fridge that has been viewed millions of times.
How Bastien Dubois Turned An Award-Winning Short Into A TV Series
Bastien Dubois talks to Cartoon Brew about the challenges of transitioning from an indie filmmaker to a TV series creator.
Rémi Chayé Interview: ‘Long Way North’ and The Indie Challenge
Rémi Chayé's unique hand-drawn feature is earning plenty of accolades, but finding an audience isn't easy.
Interview: GLAS Animation Festival Director Jeanette Bonds
"Our primary goal is to broaden and redefine the perception of animation in the US."
The Remarkable Life of Frank Braxton, Hollywood’s First Black Animator
Frank Braxton broke animation's color barrier in the early-1950s, changing the animation industry forever.
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