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Oscar Ballot Guide: ‘Big Hero 6’ Acting and Performance Analysis
Analyzing the performance and acting in the Academy Award-nominated film "Big Hero 6."
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Interview: Directors Albert ‘t Hooft and Paco Vink on ‘Trippel Trappel’
Albert 't Hooft and Paco Vink discuss the challenges of directing a low-budget theatrical feature in a small animation market like the Netherlands.
GKIDS To Release ‘Kahlil Gibran’s The Prophet’ In The U.S.
GKIDS will release the mixed-media film "The Prophet" in the U.S. this summer.
Watch 27 Best Animated Film Oscar Presentations
These rare videos document the presentation of the animated short Oscar from 1949 through 2013.
‘Big Hero 6,’ ‘Boxtrolls’ and ‘Dawn of the Planet of the Apes’ Top VES Award Nominations
"Big Hero 6," "The Boxtrolls," "Dawn of the Planet of the Apes" and the TV series "Game of Thrones" lead the VES Awards with five nominations apiece.
‘Ooops! Noah is Gone’ Set for 2015 Debut
The European 3-D children's feature "Ooops! Noah is Gone" has finalized its distribution plans and is set to debut globally in 2015.
‘LEGO Movie’ Directors Turned Down Offer To Run Sony Animation
"LEGO Movie" Phil Lord and Chris Miller turned down an offer to run Sony Animation because "it’s too hard to do great work there."
Sundance 2015: Animated Shorts and Installations Unveiled
The Sundance Film Festival has announced the film and installation selections for their upcoming edition, which will take place in Park City, Utah between January 22 and February 1, 2015.
Behind “BoJack Horseman” With Its Creator and Supervising Director
"BoJack Horseman" creator Raphael Bob-Waksberg and director Mike Hollingsworth speak with Cartoon Brew about the making of the show, its dark but sincere tone, and the lighter side of bestiality.
‘Mouse in Transition’: The CalArts Brigade Arrives (Chapter 9)
"Chief has to DIE,” Ron Clements said. “The picture doesn't work if he just breaks his LEG. Copper doesn't have enough motivation to hate the fox."
‘Ping Pong’ Recap: ‘Blood Tastes Like Iron’ (Ep. 11)
Masaaki Yuasa's fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
‘Mouse in Transition’: Detour Into Disney History (Chapter 6)
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
Artist of the Day: Clayton Stillwell
Today we look at the work of Clayton Stillwell, Cartoon Brew's Artist of the Day!
Know Your Feature Animation Cliches: The Dead Mother
On a couple occasions throughout the years, people have asked me, Why do so many animated films have dead mothers in them?
‘Mouse in Transition’: The Marathon Meetings of Wolfgang Reitherman (Chapter 5)
My wrestling match with Ken Anderson now over, I returned once more to Wolfgang "Woolie" Reitherman and Larry Clemmons, working on the story end of "The Fox and the Hound."
‘Ping Pong’ Recap: ‘I Thought You Were the Hero!!’ (Ep. 10)
Peco and Dragon battle it out in a fierce match, and Peco's victory paves the way for a climactic showdown between old friends.
‘Caveirão’ by Guilherme Marcondes
Not many people know this, but every night at 3:33AM time is frozen for a moment. During what is a fraction of second to mortal eyes, there is a second night, a secret one where the spirits of the city come out to play. That is the story of the eternal battle for the soul of São Paulo, the clash between bohemia and authoritarianism, between comedy and horror.
‘Mouse in Transition’: The Disney Animation Story Crew (Chapter 3)
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
Sony Pictures Animation Will No Longer Animate Its Films in the US
Animation and visual effects studio Sony Pictures Imageworks has confirmed what many in the industry had suspected for a long while: the studio is moving its headquarters from Los Angeles to Vancouver, Canada to take advantage of generous tax credits provided by the Canadian government. This move, combined with Digital Domain's jump to Vancouver and Rhythm & Hues' bankruptcy, prompted "Variety'"s VFX chronicler David S. Cohen to say that the Los Angeles feature film visual effects industry is "in full collapse."
25 Beautiful Stills From the New Anthology Feature ‘The Prophet’ (Gallery)
The producer of this year's most intriguing and visually eclectic animated feature may well end up being the Mexican/Arabic actress Salma Hayek, who screened a work-in-progress version of her pet project, "The Prophet," last week in Cannes.
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