‘LEGO Movie’ Directors Turned Down Offer To Run Sony Animation
"LEGO Movie" Phil Lord and Chris Miller turned down an offer to run Sony Animation because "it’s too hard to do great work there."
"LEGO Movie" Phil Lord and Chris Miller turned down an offer to run Sony Animation because "it’s too hard to do great work there."
The Sundance Film Festival has announced the film and installation selections for their upcoming edition, which will take place in Park City, Utah between January 22 and February 1, 2015.
"BoJack Horseman" creator Raphael Bob-Waksberg and director Mike Hollingsworth speak with Cartoon Brew about the making of the show, its dark but sincere tone, and the lighter side of bestiality.
"Chief has to DIE,” Ron Clements said. “The picture doesn't work if he just breaks his LEG. Copper doesn't have enough motivation to hate the fox."
Masaaki Yuasa's fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making "Snow White," "Pinocchio," and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
Today we look at the work of Clayton Stillwell, Cartoon Brew's Artist of the Day!
On a couple occasions throughout the years, people have asked me, Why do so many animated films have dead mothers in them?
My wrestling match with Ken Anderson now over, I returned once more to Wolfgang "Woolie" Reitherman and Larry Clemmons, working on the story end of "The Fox and the Hound."
Peco and Dragon battle it out in a fierce match, and Peco's victory paves the way for a climactic showdown between old friends.
Not many people know this, but every night at 3:33AM time is frozen for a moment. During what is a fraction of second to mortal eyes, there is a second night, a secret one where the spirits of the city come out to play. That is the story of the eternal battle for the soul of São Paulo, the clash between bohemia and authoritarianism, between comedy and horror.
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
Animation and visual effects studio Sony Pictures Imageworks has confirmed what many in the industry had suspected for a long while: the studio is moving its headquarters from Los Angeles to Vancouver, Canada to take advantage of generous tax credits provided by the Canadian government. This move, combined with Digital Domain's jump to Vancouver and Rhythm & Hues' bankruptcy, prompted "Variety'"s VFX chronicler David S. Cohen to say that the Los Angeles feature film visual effects industry is "in full collapse."
The producer of this year's most intriguing and visually eclectic animated feature may well end up being the Mexican/Arabic actress Salma Hayek, who screened a work-in-progress version of her pet project, "The Prophet," last week in Cannes.
Our post on Andy Serkis's inflammatory rhetoric about the limited role of animators on his motion capture performances generated a robust, often heated, discussion in the comments. By far, the most informative comment was provided by 3-time Oscar winner Randall William Cook, who was the animation supervisor and designer at WETA on the "Lord of the Rings" trilogy that was released between 2001 and 2003.
Believe it or not, one of the best online sources for animation history buffs is YouTube. Amazing and rare materials, often digitized from private film collections, is posted regularly on the streaming site. You just have to know where to look.
The Oscar-winning Louisiana animation studio Moonbot recently announced that it is developing multiple feature-length film projects. It has acquired the film rights to two YA book series: the "Olivia Kidney" trilogy by Ellen Potter, which it plans to do as a live-action/animation hybrid; and "The Extincts" by Veronica Cossanteli.
Animation is overtaking the streets of downtown Montreal’s entertainment district, the Quartier des Spectacles, and various cities in Scotland in honor of Norman McLaren's centennial.
On Sunday April 13, as part of the Bird’s Eye Film Festival, the Barbican art centre in London is set to hold an event to mark the centenary of animator Joy Batchelor. Speaking at the event will be Joy’s daughter Vivien Halas; author and former Channel 4 commissioning editor for animation Clare Kitson; BFI animation curator Jez Stewart, and film critic Brian Sibley, whose work includes books on Disney and Aardman.
Danish animator and director Niels Krogh Mortensen is on a mission: to create "the world's most responsive, intuitive and powerful software for doing one thing, and one thing only: hand-drawn animation."