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The Directors Of ‘Robin Robin’ Explain How They Broke With Aardman’s House Style
Dan Ojari and Mikey Please explain how they made their seasonal short at the storied stop-motion studio.
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Want To Animate Faster And More Intuitively In Maya? AnimBot Is An Essential Tool
Work smarter and faster in Maya - discover the essential toolset used by animators at feature film and AAA-game studios.
Erick Oh On ‘Opera’ (Oscar Shorts Interview Series)
Pixar veteran Oh has scored an Oscar nomination for his self-produced experimental short. He tells us how the project came about.
How Montreal’s Diverse Animation Scene Has Weathered One Year Of Covid
Our series on Canada's animation hotspots concludes with a profile of Montreal, home to one of the country's most vibrant animation scenes.
Tom Ascheim’s Kidscreen Q&A: 6 Takeaways On Warnermedia’s Kids Strategy
Warner Bros.’s chief of kids' content spoke of Cartoon Network's future and more besides.
From Family Secrecy To Sundance Success: The Unusual Production Of ‘Souvenir Souvenir’
Bastien Dubois speaks about the decade-long creation of his searing documentary short.
Tales From The Cutting Room Floor: Jorge Gutierrez On ‘The Book Of Life’
For the first article in our new series, Gutierrez tells us about the original ending to his 2014 feature — and why he had to change it.
Reed Hastings Reaffirms Netflix’s Goal To Challenge Disney For Animation Supremacy
"We're very fired up about catching them in family animation, maybe eventually passing them."
Academy Museum Will Debut Hayao Miyazaki Exhibition In April 2021
The Academy Museum revealed news details today about its inaugural Hayao Miyazaki exhibit.
Making ‘Frozen 2’: Disney’s Team On How They Approached The Story, Design, And Animation
The artists behind the sequel have described their creative process in a range of interviews. We've compiled their most intriguing comments.
Coping With A Box Office Bomb: A Commentary By Kelly Asbury
Two-time Oscar-nominated director Kelly Asbury writes about his emotional journey in recent years after his last two animated features underperformed at the U.S. box office.
Henry Selick Looks Back On 25 Years Of ‘Nightmare Before Christmas’
With a new Blu-Ray release of the film debuting today, director Henry Selick shares stories behind the making of "The Nightmare Before Christmas" on its 25th anniversary.
‘Solo: A Star Wars Story’: What You Need To Know About It
Read our quick primer on the latest "Star Wars" film: "Solo."
Why The Craziest Stunt In ‘Black Panther’ Took 214 Versions
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Will Wes Anderson’s ‘Isle of Dogs’ Help Animation Be Viewed As A Serious Artform?
Wes Anderson's new film is already breaking barriers, becoming the first animated feature to open the Berlinale festival. What else can it do for animation art?
‘Paddington 2’: How To Find A Character’s Performance
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
‘Jumanji: Welcome to the Jungle’: More Than Just CG Creatures
'Jumanji: Welcome to the Jungle' features plenty of cg jungle animals, as well as a number of other visual effects.
Why the Character Animation in ‘Kong: Skull Island’ Was Done Differently Than You Think
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
‘Return of the Jedi’ and ‘Roger Rabbit’ VFX Supe Ken Ralston Reflects on the State of the Industry
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Q&A: Director Chris Wedge on the Road to ‘Monster Trucks’
How Blue Sky's Chris Wedge went from animation to live-action for 'Monster Trucks'.
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