‘My Life As A Zucchini’ Wins Best Animated Feature at European Film Awards
A big win for one of the finest animated features of 2016.
A big win for one of the finest animated features of 2016.
Nominations for the 44th ASIFA-Hollywood Annie Awards were announced this morning, and Disney’s Zootopia led the way with 11 nominations. …
Bit Bang Fest is a free one-day festival dedicated to animation, video games, and digital art.
Mark Dippé and Steve ‘Spaz’ Williams, who created groundbreaking vfx work on "Jurassic Park," "T2," and "The Abyss," talk about what's different about the vfx industry today.
Animal Logic explains how they created expressive, cartoony animation for their short without squash and stretch and other animation principles.
"Brave" director Brenda Chapman reveals big new plans in an exclusive interview with Cartoon Brew.
Fresh off "The Jungle Book," Jon Favreau has discovered a new passion: vr filmmaking.
This festival favorite is headed to North America thanks to GKIDS.
A big hit at Cannes and Annecy, the Oscar-contending "Ma Vie de Courgette" now has an English-subbed trailer.
Illumination's "The Secret Life of Pets" also set a new all-time record this weekend.
Laika has some very different projects planned for the future.
We go behind-the-scenes to learn how Laika animated one of the biggest stop motion puppets ever constructed.
Claude Barras' breakout animation debut "My Life As a Courgette" will represent Switzerland at the Academy Awards.
Mark Osborne talks about why he said no to directing the project at first and why working in CG can drive a director crazy.
Will Laika score big with "Kubo and the Two Strings"?
"My Life As a Courgette" won both the Cristal and audience award for feature film at Annecy 2016.
The director of "Coraline" and "The Nightmare Before Christmas" explains why you should know the name Jan Svankmajer and how to help him make his last feature film.
MPC recruitment manager claims, "Getting to say you make THE BEST movies gets you friends with benefits."
"Dragonheart," released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
After a six-year break, Sony Pictures Classics is back in the animation game.