How A New Residency In London Is Trying To Create More Female Directors In Animation
"The animation industry is still a boys' club," says Hannah Lau-Walker, founder of She Drew That.
"The animation industry is still a boys' club," says Hannah Lau-Walker, founder of She Drew That.
It isn't just Netflix shows converted to vertical.
"In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions," says Nathan Love's Joe Burrascano.
Matt Watts talks about an important and often overlooked part of the 2D animation process: character rigging.
Users can now automatically generate head and eyebrow movement from recorded audio.
Animators are invited to create videos across a range of categories using Cartoon Animator 4.
In a guest piece, industry executive Aaron Simpson explains how the animation industry had been preparing for this disaster for decades without even knowing it.
Director Jérémy Clapin walks us through the making of his new feature "I Lost My Body."
The artists behind the sequel have described their creative process in a range of interviews. We've compiled their most intriguing comments.
"Klaus" brings hand-drawn animation back — but it also pushes it forward. The film's artists tell Cartoon Brew how they created the film's unique look.
With new competitors on the way, the streaming giant Netflix is turbocharging its preschool content production.
JonJon made an animated director's commentary to explain how he creates commissioned animation projects on tight deadlines.
Kumail Nanjiani lends his voice — and personality — to the completely cg alien.
Analysts project "Aladdin" will gross somewhere between $75-$85 million through the extended holiday weekend.
How the Blender team made a main character for their latest short film.
Having been at the helm of all three "How to Train Your Dragon" films, DeBlois has witnessed major changes in editorial processes, effects, and rendering.
For the first time this century, all the BAFTA short animation nominees are hand-drawn films. We explore the visual development of each film.
Weta Digital animation supervisor Dennis Yoo explains how they managed to make enormous cities move on wheels for the film.
An extensive conversation with "Spider-Man: Into the Spider-Verse" director Bob Persichetti.
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of "breathing paintings" for the hybrid documentary "Liyana."