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‘Agent 327: Operation Barbershop’ Trailer: How Blender Was Used To Pull Off Hollywood-Level Animation
The animation test, intended to be a forerunner to a feature film project, was made in Blender and is inspired by a famous Dutch comic series.
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PSOFT Pencil+ Plugin: How ‘Your Name’ Made Its CG Elements Look Like 2D Artwork
This 3ds Max plugin favored by directors like Makoto Shinkai and Hideaki Anno just released a new version.
Can You Pick the Real Car in This Shot? Behind-The-Scenes of ‘The Fate of the Furious’
By the end of production, even the vfx artists and filmmakers had difficulty telling the real cars apart from the digital ones.
Animation In A VR World: How Is It Different and How Is It The Same?
Experts in vr animation weigh in on what they’ve learned from working in the medium so far.
Behind The Scenes of ‘Mr. Carton’: The Animated Series Made With a Game Engine
The French production is the first television animated series made with the Unity game engine.
‘Inori’ by Nobumichi Asai and Eiji Tanigawa
A project that combines high-speed face-tracking and high-speed projection mapping at 1000fps.
Why the Character Animation in ‘Kong: Skull Island’ Was Done Differently Than You Think
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
Paul Debevec: A Name You Absolutely Need to Know in CG, VFX, Animation, and VR
A deep dive with researcher Paul Debevec, who has been pivotal in some of the biggest innovations in vfx, including photoreal digital characters.
‘Miss Peregrine’s Home for Peculiar Children’ Goes For the Harryhausen Touch
Find out how Double Negative created a battle sequence between skeletons and invisible creatures in Tim Burton's latest film.
Animal Logic Does Kung Fu Fighting, In LEGO
Animal Logic explains how they created expressive, cartoony animation for their short without squash and stretch and other animation principles.
Who Does What On A CGI Character: The Many Makers of Elliot in ‘Pete’s Dragon’
It takes a village of artists and technicians to create a sophisticated CGI character like Elliot the Dragon.
Navigating VR Animation Production: Patrick Osborne And His Team On Creating ‘Pearl’
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
Claude Cloutier: The Challenges of Making Cars Sing in ‘Carface’
Claude Cloutier explains the challenges of animating inanimate objects and shares never-before-seen drawings from throughout the filmmaking process.
Anime Studio Pro Targets Industry Pros with Launch of Major Upgrade
Anime Studio Pro has introduced frame-by-frame animation capabilities to complement its existing cut-out animation system.
Paul Driessen Q&A: “I Don’t Look Back”
The great Dutch shorts director turns 75 years old today and he's not slowing down one bit.
John Canemaker Unlocks The Secrets of ‘Fantasia”s Sweatbox Notes
What do long-lost sweatbox notes reveal about the creation of one of Disney's finest films?
‘Mouse in Transition’: The Disney Animation Story Crew (Chapter 3)
Larry had me writing sequence scripts for "The Fox and the Hound," which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman's marathon story sessions, which often left me drained and dazed. There were also Woolie's marathon take-selection meetings, which left me drained and bewildered.
‘Ping Pong’ Recap: ‘The Wind Makes It Too Hard to Hear’
A recap of the first episode of Masaaki Yuasa's new series "Ping Pong."
“The Animator’s Survival Kit” iPad App: An Animation Teacher’s Review
As an animation professor at the School of Visual Arts, I try to keep abreast of all the latest animation how-to books. There are many …
This is What A Woody Woodpecker Radio Show Would Have Sounded Like
A rare recording of a radio show starring Walter Lantz cartoon characters has been found!
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