How A Japanese Studio Is Embracing AI In Its Anime Production Pipeline
"Without AI, the work would take a minimum of one week to ten days. Using AI, it is about four of five hours," says the studio's design director.
"Without AI, the work would take a minimum of one week to ten days. Using AI, it is about four of five hours," says the studio's design director.
Creative director Paul Ó Muiris spoke to Cartoon Brew about the new studio's plans.
With over a half-dozen Norwegian animated features set to release in 2025, the country's animation industry is starting to emerge as a European force.
Many members of the animation community have suffered unimaginable losses – here is how to help them directly.
A look at some of the impacts that the fires are having on the animation and film community.
Are you ready for another packed year of feature-length animation?
After months of negotiations, members have ratified a new agreement that will be in effect until 2027.
The animated short film shortlist is led by films from France and Japan.
An anime version of 'The Lord of the Rings' didn't get audiences excited, while 'Moana 2' continued to dominate.
Nearly one in five animation workers in the U.K. reported a decrease in pay this year.
'The Wild Robot' and 'Flow' are the CCA's most nominated animated films.
Animated features from three continents drew audiences to the movie theater last weekend.
Want to discover a well-curated selection of new animated shorts on the bigscreen?
Conley was most recently executive producer at Wētā FX, where he worked on projects such as 'Avatar: The Way of Water,' 'The Last of Us' series, and the Oscar-winning short 'War is Over!'
Ryan Reynolds will produce the film from a script by Matt Lieberman.
The tentative deal will now go before Animation Guild members for a ratification vote.
The core focus of SJSU’s new Master’s program is on the development of original intellectual property.
Get ready to have your eyes pop out of your skull, because today we’re taking a look at some of the great wild takes throughout animation history.
Each episode cost nearly $14 million per episode to produce and market across its two-season, 18-episode run.
The project is from Mattel Films, Shadowmachine, Jennifer Lopez’s Nuyorican Productions, and actor-producer Anthony Ramos.