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BAFTA Short Animation Nominees: How Each Film Was Developed Visually
For the first time this century, all the BAFTA short animation nominees are hand-drawn films. We explore the visual development of each film.
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Claire Finn Named Managing Director Of Ireland’s Lighthouse Studios
Lighthouse, a joint venture between Mercury Filmworks and Cartoon Saloon, continues to grow in Kilkenny, Ireland.
Nickelodeon Froze Production, Laid Off Significant Crew On Its Upcoming Series ‘Glitch Techs’
Show co-creator Eric Robles says the series is not cancelled.
INTERVIEW: Mamoru Hosoda On The Profoundly Personal Making Of ‘Mirai’
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film "Mirai," opening this week in the United States.
A Virtual Production Explainer: What It Is, And What It Could Mean For Your Project
Cartoon Brew makes sense of the virtual production phenomenon, and provides resources that filmmakers can use to start experimenting with virtual production techniques.
Interview: ‘Maquia’ Director Mari Okada On The Challenges Of Being A First-Time Animation Director
Mari Okada's film "Maquia: When the Promised Flower Blooms" premieres in U.S. and Canadian theaters today.
Discover How CrazyTalk Animator 3 Can Make Quick And Easy Animation For Work
CrazyTalk Animator 3 is easy to learn for those who are just starting out, but packed with powerful features for more advanced users. Discover the software and enter to win $2,000 today.
How To Organize A Conference Track At An Animation Event
Cartoon Brew's vfx editor explains how he put together a conference track with major animation directors at the upcoming FMX conference in Germany.
Stop-Motion Cinematography: Q&A With ‘Isle of Dogs’ DOP Tristan Oliver
A look at all the intense work that went into the cinematography of Wes Anderson's "Isle of Dogs," before a single frame is ever animated.
‘Sunny Afternoon’ By Thomas Renoldner
"Sunny Afternoon" the confrontation of 'kind of' an avant garde film with 'kind of' a music video, putting questions about the standard taboos and clichés of different film 'genres.'
The Wonderful World Of Cardboard In Daniel Agdag’s ‘Lost Property Office’
The moody universe of this Oscar-contending short was created with 2,500 sheets of recycled cardboard.
Digital Humans In Real-time Are The Star In Neill Blomkamp’s Latest Short
Neill Blomkamp’s Oats Studios made a new short using Unity game engine.
Animation is the Ultimate Expression of Hope: An Interview with ‘The Breadwinner’’s Nora Twomey and Saara Chaudry
The director and star of Cartoon Saloon's powerful new work, "The Breadwinner," speak to Cartoon Brew.
Toy Maker Funko Had The Worst First-Day Return For An IPO In 17 Years
Fans may love their toys, but Wall Street wasn't impressed.
Summus Render Jumping Into Virtual Animation Studio Space With Simple Animation
Experienced render farm provider Summus says its cloud-based virtual production studio called Simple Animation will benefit everyone from freelancers to large studios.
From Performance Capture To Creature: How The Apes Were Created In ‘War for the Planet of the Apes’
An overview of Weta Digital’s process in turning performance capture into final animation in the newest 'Apes' film.
Midas Touch Automates 2D Animation With New Creature Tool
A new tool automates the tedious task of secondary animation, like cloth and hair.
Disney Rolls Out Digital Network, Integrating Maker Studios With Its Own Brands
Maker creators will now make branded content for Disney properties.
Aaron Blaise Reveals The Seven Steps to Great Character Design
Watch a free 45-minute video in which Oscar-nominated animation director Aaron Blaise reveals 7 essential steps to designing a character for animation.
‘Rogue One’’s Creature Effects Supervisor on the Future of Practical and CG Collaboration
The creature effects supervisor wants to collaborate even more with his digital counterparts.
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