Telltale Games Shuts Down Suddenly, Won’t Pay Severance To Hundreds Of Laid Off Employees
Employees were reportedly given 30 minutes to leave the studio premises.
Employees were reportedly given 30 minutes to leave the studio premises.
How have things changed at Pixar since John Lasseter stepped down as chief creative officer?
The "Get Animated Invasion" pop-up exhibit offers nine interactive spaces designed around select musical elements of Warner Bros. cartoons.
"Purl," directed by Kristen Lester, is the second project finished by Pixar's new experimental shorts unit.
Learn how SummuS Render’s new Simple Animation service can slash the time and cost of the animation process, helping your studio deliver on budget and on schedule.
We preview "Mighty Mike," a one-of-a-kind animated series coming soon to Cartoon Network France.
John Lasseter is (kind of) leaving...
Popeye is making a comeback.
Hayao Miyazaki has spoken for the first time about his business partner and colleague Isao Takahata, who died last month.
He was a master of limited television animation, and proved that it can be as fun and creative as full animation.
One of the most important people at Pixar, 25-year veteran producer Darla K. Anderson, has left the company just days after she won the Oscar for "Coco."
Already a hit in several South American countries, "Condorito" opens today in the United States.
New allegations about John Lasseter reveal that Disney management knew about his behavior and assigned him handlers to prevent him from physically harassing women.
Disturbing new details have come to light about the creator of Nickelodeon's "The Loud House."
Experienced render farm provider Summus says its cloud-based virtual production studio called Simple Animation will benefit everyone from freelancers to large studios.
Women in animation speak openly with Cartoon Brew about what it means to work in the business while being a mom, and what the industry should be doing to support their careers.
Hiring a feature film studio head, Netflix sends a clear signal about their feature film ambitions.
Stop-motion animation is booming in Los Angeles, so why are artists left to fend for themselves when it comes to negotiating their employment agreements with the various studios. Cartoon Brew investigates.
The writer and co-director of "A Stork's Journey" shares the ups and downs of making an indie animated feature across four European countries.