Tech Bros. Take Aim At Cannes With GenAI-Produced Animated Feature ‘Critterz’
OpenAI’s AI-backed 'Critterz' is sold as a test of ‘democratizing’ animation, a framing that feels disingenuous in today’s industry context.
OpenAI’s AI-backed 'Critterz' is sold as a test of ‘democratizing’ animation, a framing that feels disingenuous in today’s industry context.
Discover how Isabel Garrett and BlinkInk crafted 'Bake Off’s' new cosmic title sequence, blending stop-motion, 2D, CG, and VFX magic.
Don Hertzfeldt-curated 'Animation Mixtape' premieres at IFC Center tonight, reviving the big-screen experience for short films before touring nationwide.
Netflix and Sony’s musical phenomenon reclaims weekly No. 1 globally, nears all-time record, and sells out sing-alongs ahead this weekend's theatrical release.
The indie pilot 'Plinko and Mark' blends contemporary humor with nostalgic '90s cartoon vibes, earning nearly 300k views since its July 31 debut.
Leaders at Tonko House, KuKu Studios, Titmouse, and Reel FX chime in on the potential impact of California's expanded incentives.
'Bluey at the Cinema' brings 8 hit episodes to theaters across Europe, building buzz for a 2027 movie after UK success with 400K+ viewers.
'We treated the cars like characters': Kevin Van Der Meiren and David Nicolas on the show's surreal Hot Wheels-inspired titles.
“I wasn’t aiming for realism,” says "MirrorMask" director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target."
"Let us live; let us go home; stop the bombs," said Annecy's artistic director Marcel Jean at Saturday night's closing ceremony.
The unauthorized documentary provides new insights into the 30-year history of one of America's most famous animation studios.
The head of Lionsgate claims that making an anime feature is as simple as telling an AI software, "Do it in anime."
A new season premieres next month, a decade after the show wrapped up its original run.
The film's North American distribution rights have been acquired by Cartuna and Irony Point.
Australian directors Emma Hough Hobbs and Leela Varghese made their Berlin-premiering feature film for just $600,000.
Fierlinger carved out a singular path in animation — one marked by a distinct visual voice, a relentless work ethic, and a deep emotional honesty.
"I want to tell all of the other out-of-work film people, it’s okay to go find something to do to make your month work," says Keefer.
An exploration of one of the greatest cartoon teams in animation history.
Schemoul, an animation industry artist in France, worked nights and weekends for nine months to create this stunning, dreamlike film.
We're taking a closer look at underappreciated stop-motion features from the last 100 years.