Animating Anxiety: Caroline Robert Discusses Her New Interactive Web Project ‘Brainstream’
Have you ever given a brain massage before?
Have you ever given a brain massage before?
Jim Hillin, the cg supervisor of "Beauty and the Beast," reveals the creation of an iconic moment in Disney animation history.
Unity's acquisition of Weta Digital could be a game-changing moment in the vfx industry.
The South Korean startup says its automated animation tool can slash production costs.
This is the game's third animation festival of the year.
Industry leaders gathered at the virtual festival to share lessons learned during their SCAD days.
Madagascan artist Cid explains how the program is helping him bring his highly stylized game to life.
In the new short film "The Windshield Wiper," Albert Mielgo attempts to uncover what it is about this thing called love that so enraptures humanity.
The festival's program runs the gamut from indie to industry, tech talks to rare retrospectives.
For many graduates, this strange experience sharpened their ideas about what they want in their careers. They tell us why.
Drouin was known for the striking shorts he made at the National Film Board of Canada, such as "Mindscape" and "Imprints."
Animator Chris Meyer-White explains the software's advantages when it comes to hybrid approaches.
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
"You have more control over the scope of the animation process," says Mik Kirchheiner of animating directly with a tablet.
Kambole Campbell reflects on what feels fresh — and what doesn't — in Netflix's new series about a Black samurai.
The developers behind the new tool explain why they created it, how it is used, and what lies ahead for real-time 2d animation.
Olivares, who also served as character designer on Sony's new film, tells us how it came together visually.
The company says it is now worth $28.7 billion.
Ruthie Harrison and Richie Ward reflect on the opportunities MECA has given them to make art and present it to the world.
"Everything in this film was new to me," says Laudenbach.