Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
A hybrid digital and traditional process was used to create this music video for Mitski’s “A Pearl.”
Although Nick DenBoer uses standard off-the-shelf software, he’s using the tools in pursuit of a comic vision that is infrequently seen in the vfx arena.
At a time when digital artists are still grappling with the potential of computer animation, Nikita Diakur’s “Ugly” is an eye-opening dive into the medium’s untapped possibilities and a bold statement on where cg animation might still go.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.