Both of these animated features have scored lots of buzz and awards on the festival circuit.
GKIDS will release this unique animated feature in North America next year.
For the first time in six years, animated films own both of the top spots at the box office.
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film “Mirai,” opening this week in the United States.
Montreal’s major annual animation event is back for its 17th edition.
Hosoda’s new film opens in the U.S. later this month.
There had been a lot of talk in the L.A. animation community about why Bryant had been invited to serve on the festival’s jury.
An intimate and unfiltered look at the Japanese animation legend is coming to U.S. theaters.
Don’t let the name GKIDS fool you, “MFKZ” is definitely not for kids.
The hyper-violent French/Japanese genre mashup “MFKZ” is headed to U.S. theaters.
The Japanese filmmaker’s toe-tapping latest “Lu Over the Wall” open in the U.S. this Friday.
Four animated projects are getting the spotlight at Cannes’ Directors’ Fortnight sidebar.
Hosoda’s next film is coming to U.S. theaters soon after its Japanese release.
After just four days of release, “Mary and the Witch’s Flower” has become the all-time highest grossing GKIDS release.
A cartoonish blast from the past, co-directors Benjamin Renner and Patrick Imbert’s Big Bad Fox and Other Tales bows equally to …
One of the darkest of the Oscar-contending animated features, “Birdboy: The Forgotten Children” explores how external matters like pollution and drugs can contaminate the interior of its characters.
The animated features of Japanese animation rebel Masaaki Yuasa are coming to U.S. theaters.
Here’s how to make an animated feature by yourself.
It is the weakest-opening ever for a Blue Sky Studios animated film – and it couldn’t have come at a worse time for the studio.