“Avengers: Infinity War” and “Lost in Space” also came up big at this year’s VES Awards.
#Sony Pictures Imageworks
Georgia Cano, one of the three lead plaintiffs in the animation wage-fixing lawsuit, speaks out for the first time.
An extensive conversation with “Spider-Man: Into the Spider-Verse” director Bob Persichetti.
Why Imageworks had to ‘break’ their animation and VFX pipeline to make “Spider-Man: Into The Spider-Verse.”
Glen Keane’s feature directorial debut will be animated in Vancouver.
Two of the hardest things to produce in visual effects animation are snow and fur – two of the main elements required for “Smallfoot.”
The film promises action, comedy, and a visual approach unlike anything that’s ever been seen in Hollywood animation.
Animation supervisor Alan Hawkins shares animation secrets behind Blobby, Count Dracula’s bat transformations, and the Kraken.
Sony’s latest feels tonally different from anything else released by a major American animation studio.
Coming next Christmas.
Yeti or not, Warner Animation Group made another animated feature.
Genndy Tartakovsky is not only directing the film, he also co-wrote it.
The Italian digital arts conference this month features several leading women in the cg, vfx, and animation industries.
Finnish game maker Rovio is joining the animation sequel onslaught of 2019.
How Sony referenced the original material and looked to new horizons for the latest Smurfs feature film.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Hollywood is honoring the cgi and vfx technologies that play such a huge role in filmmaking nowadays.
A deep dive with researcher Paul Debevec, who has been pivotal in some of the biggest innovations in vfx, including photoreal digital characters.
The scene-stealing transforming-wolves in “Storks” were both a creative and technical animation challenge.
The new web site explains how artists will receive the nearly-$19 million settlement fund from Blue Sky and Sony Pictures.