What does a vfx supervisor actually do during a film’s production? The answer might surprise you.
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It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
A first look at the sequel directed by Thurop Van Orman.
“Avengers: Infinity War” and “Lost in Space” also came up big at this year’s VES Awards.
Georgia Cano, one of the three lead plaintiffs in the animation wage-fixing lawsuit, speaks out for the first time.
An extensive conversation with “Spider-Man: Into the Spider-Verse” director Bob Persichetti.
Why Imageworks had to ‘break’ their animation and VFX pipeline to make “Spider-Man: Into The Spider-Verse.”
Glen Keane’s feature directorial debut will be animated in Vancouver.
Two of the hardest things to produce in visual effects animation are snow and fur – two of the main elements required for “Smallfoot.”
The film promises action, comedy, and a visual approach unlike anything that’s ever been seen in Hollywood animation.
Animation supervisor Alan Hawkins shares animation secrets behind Blobby, Count Dracula’s bat transformations, and the Kraken.
Sony’s latest feels tonally different from anything else released by a major American animation studio.
Coming next Christmas.
Yeti or not, Warner Animation Group made another animated feature.
Genndy Tartakovsky is not only directing the film, he also co-wrote it.
The Italian digital arts conference this month features several leading women in the cg, vfx, and animation industries.
Finnish game maker Rovio is joining the animation sequel onslaught of 2019.
How Sony referenced the original material and looked to new horizons for the latest Smurfs feature film.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Hollywood is honoring the cgi and vfx technologies that play such a huge role in filmmaking nowadays.