A continuing series in which we map out what major corporations own in terms of animation-related characters, studios, and distribution platforms.
#Sony Pictures Imageworks
The director speaks to us about the challenges of developing a hand-drawn look for his cg feature, and much more.
After numerous release delays due to the pandemic, “The Mitchells vs. The Machines” will launch on Netflix.
The videos were released by Sony Pictures Imageworks, the animation studio behind the Netflix feature.
The legendary animator’s feature directorial debut is produced by Netflix and Shanghai’s Pearl Studio.
In a year with a reduced slate of animated features, two major releases — one streaming and one theatrical — will go head-to-head.
What gives the city an edge — and what threats does it face?
A Chinese girl and her pet rabbit board a rocket to space in this new feature from Netflix and Pearl Studio.
Over five years at Sony Imageworks, Davis has worked on the studio’s high-profile projects, including “Hotel Transylvania” and “Spider-Man: Into The Spider-Verse.”
Thurop Van Orman, creator of “The Marvelous Misadventures of Flapjack,” makes the most of his feature directorial debut.
Kumail Nanjiani lends his voice — and personality — to the completely cg alien.
What does a vfx supervisor actually do during a film’s production? The answer might surprise you.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
A first look at the sequel directed by Thurop Van Orman.
“Avengers: Infinity War” and “Lost in Space” also came up big at this year’s VES Awards.
Georgia Cano, one of the three lead plaintiffs in the animation wage-fixing lawsuit, speaks out for the first time.
An extensive conversation with “Spider-Man: Into the Spider-Verse” director Bob Persichetti.
Why Imageworks had to ‘break’ their animation and VFX pipeline to make “Spider-Man: Into The Spider-Verse.”
Glen Keane’s feature directorial debut will be animated in Vancouver.
Two of the hardest things to produce in visual effects animation are snow and fur – two of the main elements required for “Smallfoot.”