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Animating Myth: The Line Takes Us Behind Their Trailer For Supergiant’s ‘Hades II’
Discover how The Line brought humanity, style, and mythic power to Supergiant Games’ ‘Hades II’ trailer, blending artistry with storytelling.
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The Animation That Changed Me: Wesley Louis on ‘Akira’
“I just don’t think we’ll ever get something that game-changing in animation again,” says Louis of Katsuhiro Otomo’s cyberpunk classic.
The Challenges Of Being Black In The Animation Industry (Video Discussion)
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
The Line Delivers Unique Animation Campaign For Gucci
London-based The Line is responsible for one of this season’s more distinctive animated advertising campaigns.
150 Animation Projects and High-Profile International Guests Set for Spain’s 3D Wire
3D Wire is a major Spanish animation event that highlights the vitality of the country’s animation, video game, and new media industries.
‘Amaro and Walden’s Joyride’ by Tim McCourt and Max Taylor
Meet Amaro and Walden, two rowdy boy racer-hipsters who don’t give a bleep.
Artist of the Day: Sam Taylor
London resident Sam Taylor directs productions through the animation collective that he’s a part of called The Line.
“Wallflowers” by Bjorn-Erik Aschim (NSFW)
This is a film for everyone who has ever been on a shit night out.
“Everything I Can See From Here” by Sam Taylor and Bjorn Aschim
Everything I Can See From Here has a simple quality that is all too rare in animated filmmaking: mystery. As a viewer, I had no idea …