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Developed at The Line, the game features a looping animation concept that becomes interactive, using death as a power-up across mechanics, levels, and story.
Directors Max Taylor and Tim McCourt break down the hybrid analog-digital process behind the band’s richly textured new animated short.
Discover how The Line brought humanity, style, and mythic power to Supergiant Games’ ‘Hades II’ trailer, blending artistry with storytelling.
“I just don’t think we’ll ever get something that game-changing in animation again,” says Louis of Katsuhiro Otomo’s cyberpunk classic.
Filmmakers Wesley Louis And Mohamed Fadera share their thoughts in a video hosted by animation studio The Line.
London-based The Line is responsible for one of this season’s more distinctive animated advertising campaigns.
3D Wire is a major Spanish animation event that highlights the vitality of the country’s animation, video game, and new media industries.
Meet Amaro and Walden, two rowdy boy racer-hipsters who don’t give a bleep.
London resident Sam Taylor directs productions through the animation collective that he’s a part of called The Line.
This is a film for everyone who has ever been on a shit night out.
Everything I Can See From Here has a simple quality that is all too rare in animated filmmaking: mystery. As a viewer, I had no idea …