All those explosions and cars flipping, that’s all real, that’s all live. Real ratchets, whatever. . . . There’s very few bluescreen shots on the movie. There’s not a lot of cgi; there’s a couple and some of the cgi is shit in this movie. There’s a couple shots that I wasn’t happy with, okay? Alright.
It’s peculiar for any director to criticize their own film before its release, but it’s particularly bizarre for a director to attack below-the-line film workers for shoddy work. Film directors get all the glory, so it’s only fair that they also take responsibility for parts of the film that didn’t live up to their standards. Bay’s attempt to pass the buck is a classless move.
For the record, Dan Levitan was the primary vfx supervisor on Ambulance. L.A.-based Opsis FX was the main vfx company.
UPDATE: People with knowledge of the production have informed us that the visual effects with which Bay was displeased were produced by a third-party vendor and not supervised by Levitan.