Here’s The Biggest Animation News You Missed In April
If March was defined by the shock of the coronavirus’s global spread, April is when we started to really see its repercussions for animation, and glimpse how the industry may change for good.
If March was defined by the shock of the coronavirus’s global spread, April is when we started to really see its repercussions for animation, and glimpse how the industry may change for good.
The company’s animation studio has produced a segment of Netflix’s “Love, Death & Robots,” Disney’s “101 Dalmatian Street,” and music videos for Gorillaz
Her résumé also includes “Brave,” “The Book of Life,” “Elf,” and an eight-year stint as a layout artist during the Disney Renaissance.
The veteran executive served as the programming block’s creative director at its launch in 2001.
“Trolls World Tour” did well on video-on-demand. Universal wants to repeat the formula. Theaters are furious.
Paramount and Hasbro’s Entertainment One will produce the film, with a script from the writers of Marvel’s “Ant-Man and the Wasp.”
Top French animation directors tell the César Awards: “We wish to state, once again, that animation is not a genre.”
Warner Bros. gave up on a previous partnership with the toy company after their movies yielded diminishing returns.
In her 20-year career, Mlynarczyk earned seven Emmy nominations, winning once.
Looom, available on Ipad, is pitched at both non-animators who want to learn and pros who want to experiment.
The late filmmaker made dozens of films based on children’s books. In a 1977 documentary, he explained how to do this well.
The group aims to see 50/50 gender parity across Austin’s expanding animation industry by 2025.
The company’s treatment of its staff is “grotesque” says a grassroots vfx workers rights organization.
Layoffs have taken place in both Florida and New Zealand.
Learn how to create a project from conception to completion, and how to break into the industry.
The company says this must be done in order to retain jobs amid the crisis. Union representatives are worried about the long-term implications.
Among the Pixar veteran’s choices are “The General,” “Guys and Dolls,” and “2001: A Space Odyssey.”
A mythological feature that’s also about the coronavirus. A game in which you do sit-ups underneath a dog. A short film about mescaline. These projects are pretty wild.
The director and production designer of Netflix’s latest animated feature talk about their creative approach and influences, from “Citizen Kane” to bats in toilets.
“Masameer” director Malik Nejer tells Cartoon Brew how he transitioned from online shorts to bigscreen feature.